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Besides the complete Ravel ballet, Franz Welser-Möst and Clevelanders also give a crisp account of Mozart's "Jupiter" symphony.
Joélle Harvey, Iestyn Davies, Nicholas Phan and Hanno Müller-Brachmann shine in Franz Welser-Möst's sometimes meditative interpretation of Bach's Mass in B minor.
Alan Held and Martina Janková star in a technologically and musically stunning production of Leoš Janáček's fable of nature and time.
Britten's Spring Symphony and Ryan Wigglesworth's Locke's Theatre join with Rudolf Buchbinder's thrilling account of Rachmaninov's Rhapsody, all conducted, at short notice, by Brett Mitchell, Franz Welser-Möst's assistant.
Are there musical works, even pieces generally considered to be masterpieces, that no longer can catch the listening public’s interest, no matter how expertly they are performed? I have been wrestling with this question since this weekend’s Cleveland Orchestra and Chorus performance of Haydn’s The Seasons.