The Sitkovetsky Piano Trio play Brahms and Smetana at St George's Bristol

By Alexandra Hamilton-Ayres, 30 January 2013

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Reviewed at St George's Bristol, Bristol on 27 January 2013

Brahms, Piano Trio no. 2 in C major, Op.87

Smetana, Piano trio in G minor, Op.15

Sitkovetsky Trio

Playful passion: Sitkovetsky Trio sparkle in Triple Concerto

Christopher Halls, 16th November

A forced programme change by Hong Kong Sinfonietta proves beneficial, lightening up the evening with Mozart’s overture to Le nozze di Figaro before a pair of Beethoven works.

****1

Passionate renditions of Smetana, Vine and Tchaikovsky from the Sitkovetksy Trio

David Larkin, 31st March

The Sitkovetsky Trio impresses with fearless and passionate performances of Smetana, Tchaikovsky and Carl Vine in Sydney's City Recital Hall.

****1

El Sitkovetsky Trio brilla en el Teatro Liceo de Salamanca

Francisco Martínez Ramos, 7th October

El Sitkovetsky Trio inauguró con mucho éxito el ciclo de música de cámara que se celebra en el Teatro Liceo de Salamanca.

****1

La joyeuse diversité du Festival international de Marvão

Erwan Gentric, 20th July

Entre le concert de l'ensemble Os Músicos do Tejo, la messe mozartienne du dimanche matin, la soirée symphonique en plein air et les concerts de musique de chambre, tous les goûts sont à Marvão !

****1

Les transfigurations du Trio Sitkovetsky et Beatrice Berrut

Jean Landras, 13th July

Après les mésaventures des jours passés, le Festival de Bellerive a pu vivre une soirée dans des conditions parfaites, y compris sur le plan musical, avec un Trio Sitkovetsky et une Beatrice Berrut inspirés.

****1

Savall conducts Beethoven and Haydn at the Elbphilharmonie

Mengguang Huang, 3rd April

Beethoven's Christus am Ölberge is paired with Haydn's Die sieben letzten Worte, a journey from agony to transcendence in which the agony proves the more honest companion.

***11

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Alexandra Hamilton-Ayres

Alexandra Hamilton-Ayres is a Bristol-based film composer and classical electronic artist. Alexandra's passion in scoring and as a performer lie in the duality between the classical and electronica worlds, moving picture and her love for the piano. Her music has been described by The White Room Magazine as “majestic, at times monumental…the force and vastness of nature”.