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Benjamin Appl, Baritone James Baillieu, Piano: Nocturne

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Carnegie Hall: Weill Recital HallNew York City, New York, United States
On Thursday 14 May 2020 at 19:30
Programme
Schubert, Franz (1797-1828)Nachtstück (Mayrhofer), D.672
Schubert, Franz (1797-1828)Auf dem Wasser zu singen (Stolberg), D.774
Tchaikovsky, Pyotr Ilyich (1840-1893)Sred' shumnogo bala (Amid the din of the ball), Op.38 no. 3
Strauss, Richard (1864-1949)Ständchen, Op.17 no.2
Hahn, Reynaldo (1875-1947)Chansons grises
Chabrier, Emmanuel (1841-1894)L'île heureuse
Somervell, Arthur (1863-1937)A Shropshire Lad: White in the moon the long road flies
Schubert, Franz (1797-1828)Der Wanderer an den Mond (Seidl), D.870
Vaughan Williams, Ralph (1872-1958)Songs of Travel: 6. The Infinite Shining Heavens
Schumann, Robert (1810-1856)Mein schöner Stern, Op.101 no.4
Gurney, Ivor (1890-1937)Five Elizabethan Songs
Schumann, Robert (1810-1856)Belsazar, Op.57
Schumann, Robert (1810-1856)Zwielicht, Op.39 no.10
Schubert, Franz (1797-1828)Erlkönig (Goethe), D.328
Bolcom, William (b. 1938)12 Cabaret Songs
Quilter, Roger (1877-1953)Now sleeps the crimson petal, Op.3 no.2
Brahms, Johannes (1833-1897)Wie rafft ich mich auf in der Nacht, Op.32 no.1
Schoenberg, Adam (b. 1980)Warum bist du aufgewacht
Wolf, Hugo (1860-1903)Mörike-Lieder, no. 32: An die Geliebte
Grieg, Edvard (1843-1907)Ein Traum Op.48 no. 6
Schubert, Franz (1797-1828)Der blinde Knabe (Cibber), D.833
Schumann, Robert (1810-1856)Wer nie sein Brot mit Tränen ass
Weber, Carl Maria von (1786-1826)Ich wandre durch Theresienstadt
Weber, Carl Maria von (1786-1826)Wiegala
MacMillan, Sir James (b. 1959)The Children
Strauss, Richard (1864-1949)Morgen Op.27 no.4
Performers
Benjamin ApplBaritone
James BaillieuPiano

There are singers who pour forth beautiful tone, find nuances in a song, or plum dramatic depths. Benjamin Appl does it all—more accurately, he inhabits a song. “The current front-runner of the new generation of lieder singers” (Gramophone), Appl is “a compelling storyteller, alive to the smallest flickers of humor or pathos in a text” (The Spectator). You’ll want to be there when the young German baritone shows why audiences around the world call him lieder royalty.

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