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Das Land des LächelnsNew production

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This listing is in the past
OpernhausFalkenstrasse 1, Zürich, 8008, Switzerland
2017 June 18 19:00, June 21 19:00, June 25 19:30, June 29 19:00, July 02 14:00, July 06 19:00, July 09 20:00, July 13 19:00
Performers
Zurich Opera
Fabio LuisiConductor
Andreas HomokiDirector
Wolfgang GussmannSet Designer, Costume Designer
Julia KleiterSopranoLisa
Rebeca OlveraSopranoMi
Spencer LangTenorGustav
Piotr BeczałaTenorPrince Sou-Chong
Cheyne DavidsonBaritoneTschang
Susana MendozaCostume Designer
Franck EvinLighting Designer
Ernst RaffelsbergerChoirmaster / chorus director
Kathrin BrunnerDramaturgy
Philharmonia Zürich
Zurich Opera Chorus

“Always smile and always be cheerful, always satisfied, no matter what happens, smile in spite of your sorrows and a thousand aches and pains,” sings Prince Sou-Chong, thus introducing the fundamentally melancholy tone of this operetta, which even has a tragic ending in store. Das Land des Lächelns is one of Franz Lehár’s late operettas, which are stylistically a far cry from the frivolous Viennese operetta of the turn of the 20thcentury and whose symphonic density is reminiscent of the great film scores.

In Das Land des Lächelns, twoyoung people from different cultures meet: during his sojourn in Vienna, the Chinese diplomat Prince Sou-Chong meets Lisa, who is from an aristocratic family. The two are attracted to one another and fall in love. When Sou-Chong is appointed Chinese prime minister, Lisa follows him to Peking, where she is confronted with strange customs and ancient traditions that put her love for Sou-Chong to the test. In the end it becomes clear that the two worlds are incompatible and will not allow the pair to share a future.

Opera writers have always been fascinated by the allure of the unfamiliar – and the psychological and social conflicts it entails. Asian subjects were particularly fashionable during the fin de siècle period, of which Puccini’s Madama Butterfly is only the most prominent example. However, Lehár’s operetta owes its popularity to one song in particular, which was linked with one of the greatest tenors of the time: “Dein ist mein ganzes Herz” (My heart is entirely yours), with which Richard Tauber sang his way into the hearts of millions. For our new production, world star Piotr Beczala, who cultivates the tradition of the famous Tauber style like no other, will be returning to Zurich Opera House as Sou-Chong; he has an equal partner in Julia Kleiter as Lisa. Fabio Luisi and Andreas Homoki also know that the genre of operetta requires particular care – which is wh they have assumed personal responsibility for this production.

Prince Sou-Chong and his ladies © Toni Suter
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