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Das Wunder der HelianeNew Production

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Deutsche OperBismarckstraße 35, Berlin, Germany
March 18 18:00, March 22 19:30, March 30 18:00, April 01 18:00, April 06 19:30
Performers
Deutsche Oper Berlin
Marc AlbrechtConductor
Christof LoyDirector
Johannes LeiackerSet Designer
Barbara DrosihnCostume Designer
Sara JakubiakSopranoHeliane
Josef WagnerBass-baritoneHerrscher (Ruler)
Brian JagdeTenorFremder (Stranger)
Okka von der DamerauMezzo-sopranoBotin (Messenger)
Derek WeltonBassPförtner (Doorman)
Burkhard UlrichTenorBlinder Schwertrichter (Blind Judge)
Gideon PoppeTenorJunger Mann (Young man)
Berlin Deutsche Opera Orchestra
Berlin Deutsche Opera Chorus

Erich Wolfgang Korngold spoke of this work as his “masterpiece”. HELIANE’S MIRACLE bears all the hallmarks of Korngold’s musical theatre - and goes one step further in scale, with a huge score and orchestra, intoxicating pathos and exquisitely expressive harmonies that play with polytonality - resulting in a gripping and sensuous drama. The world premiere in Hamburg in 1927 was a triumph, with more than a dozen houses booking the latest work by Korngold, at the time the second most performed composer of opera after Richard Strauss. In 1928 the work was presented at the Städtische Oper Berlin, with Bruno Walter directing, but here, as at other venues, the reception was cool, due in part to intrigues, in part to the charge that his Late Romantic score was behind the times. With the Jewish Korngold prevented by the Nazis from presenting his works to the public, HELIANE’S MIRACLE vanished from the repertoire, never to return. This is a timeless fairy tale portraying a cold ruler incapable of loving anyone, his wife Heliane, devoted to a Dionysian stranger, and a people waiting for a redemptory miracle to occur.

A precise psychological analysis of a work’s protagonists is what interests director Christof Loy, who is returning to the Deutsche Oper Berlin after stints here presenting JENUFA, FALSTAFF and EDWARD II. And it falls to Marc Albrecht, for many years a close collaborator with the opera house, to waken Korngold’s grand and opulent music from decades of slumber.

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