Saturday 31 January 2026 | 19:00 |
Sunday 01 February 2026 | 11:00 |
Bonis, Mélanie (1858-1937) | Femmes de Légende | |
Ravel, Maurice (1875-1937) | Piano Concerto in G major | |
Lutosławski, Witold (1913-1994) | Concerto for Orchestra | |
Ravel, Maurice (1875-1937) | La Valse |
Alexandre Bloch | Conductor |
Gabriela Montero | Piano |
Dresden Philharmonic |
Ravel's Piano Concerto in G major is probably the most excitingly orchestrated concerto for a solo instrument with orchestra. Cheerful and brilliant at the same time, it has been a favorite work of concert audiences since its premiere in 1932. It begins furiously with a crack of a whip, created by two pieces of wood connected by a hinge and struck together. The second, slow movement is often referred to as one of the most beautiful 'Songs without Words' in music history. It is embedded in the surreal circus atmosphere of the first movement with hints of Ravel's Basque homeland, blues and jazz souvenirs from his trips to America, and the rapid finale in the style of a perpetuum mobile. "La valse" by Ravel probably needs no description - the symphonic waltz is one of the most popular works of the 20th century and regularly excites the audience. The Concerto for Orchestra by the Polish composer Witold Lutosławski can also arouse enthusiasm. It was premiered with great success in Warsaw in 1954 and is the last work in which Lutosławski uses folkloric elements. With it, the composer has said everything he had to say in this musical language...
