Friday 16 January 2026 | 19:30 |
Friday 23 January 2026 | 19:00 |
Sunday 25 January 2026 | 16:00 |
Friday 30 January 2026 | 19:30 |
Sunday 01 February 2026 | 18:00 |
Komische Oper Berlin | ||
James Gaffigan | Conductor | |
Barrie Kosky | Director | |
Rebecca Ringst | Set Designer | |
Klaus Bruns | Costume Designer | |
Franck Evin | Lighting Designer | |
Orchester der Komischen Oper Berlin | ||
Chor der Komischen Oper Berlin | ||
Simon Berger | Dramaturgy | |
David Cavelius | Choirmaster / chorus director | |
Hubert Zapiór | Baritone | Eugene Onegin |
Penny Sofroniadou | Soprano | Tatyana |
Rachael Wilson | Mezzo-soprano | Olga |
Oleksiy Palchykov | Tenor | Lensky |
Bogdan Taloș | Bass | Prince Gremin |
Ulrike Helzel | Mezzo-soprano | Madame Larina |
Ksenia Vyaznikova | Mezzo-soprano | Filippyevna |
Junoh Lee | Bass-baritone | Zaretsky |
With stunning natural imagery and attention to every detail, Barrie Kosky presents Tchaikovsky’s soulful drama about the hopes, longings, and failures of four young people who come to realize in the end that happiness was almost within reach.
When the poet Lensky visits his fiancée Olga and brings along his mysterious friend Eugene Onegin, Olga’s introverted sister Tatyana is immediately hooked. But Onegin rejects her supplication. Years later, he meets her again, but now it is she who doesn’t want to hear his sudden pleas for love ...
It was with Eugene Onegin that Tchaikovsky achieved his breakthrough as an opera composer, making an unparalleled contribution to modern music theatre. With its opulent stage design, Barrie Kosky’s production captures the poetry of the characters and their tragedy, set in the vastness of a natural space. Supported by Tchaikovsky’s unforgettable music, Eugene Onegin is a ‘delicate psychogram of young people who are just learning for the first time what irreversible decisions truly mean’ [BR Klassik].
Reviews of Eugene Onegin, Op.24 directed by Barrie Kosky
