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Lady Macbeth of the Mtsensk DistrictNew production

Schillertheater: Großer SaalBismarckstraße 110, Berlin, 10625, Germany
Dates/times in Berlin time zone
Saturday 31 January 202619:00
Friday 06 February 202619:00
Sunday 08 February 202618:00
Tuesday 24 February 202619:00
Thursday 26 February 202619:00
Sunday 01 March 202618:00
Saturday 07 March 202619:30
Saturday 14 March 202619:30
Performers
Komische Oper Berlin
James GaffiganConductor
Barrie KoskyDirector
Rufus DidwiszusSet Designer
Victoria BehrCostume Designer
Olaf FreeseLighting Designer
Orchester der Komischen Oper Berlin
Chor der Komischen Oper Berlin
David CaveliusChoirmaster / chorus director
Dmitry UlyanovBassBoris Timofeyevich Izmailov
Elmar GilbertssonTenorZinoviy Borisovich Izmailov
Ambur BraidSopranoKaterina Lvovna Izmailova
Sean PanikkarTenorSergey
Susan ZarrabiMezzo-sopranoSonyetka
Mirka WagnerSopranoAksinya
Marcell BakonyiBaritonePolice inspector
Jens LarsenBassPriest
Stephen BronkBassOld Convict
Caspar KriegerTenorTattered peasant

After bringing Dmitri Shostakovich’s early opera The Nose to life in a wonderfully grotesque staging, Barrie Kosky now turns his attention to a far more radical work by the Russian composer: Lady Macbeth of Mtsensk, a dark tale of sex and violence featuring one of opera’s most fascinating female characters.

Young and married into wealth, Katerina is nonetheless utterly miserable. Longing for love and joy, she finds herself trapped in a life of dreary boredom, neglected by her impotent husband and humiliated by her cruel father-in-law. In her loneliness, Katerina embarks on a passionate affair with the reckless womanizer Sergei. What begins as an erotic escape soon spirals into a series of chilling murders...

Premiering in 1934, Shostakovich’s Lady Macbeth of Mtsensk broke numerous taboos of the time. Sexual acts and murderous intrigues are laid bare within an orchestral soundscape that is as erotic as it is brutal. As if that weren’t provocative enough, the composer also consistently sympathizes with his anti-heroine, a woman who, despite all her violent deeds, cannot help but move most every heart.

The 2025 Year of Shostakovich will be celebrated at the Komische Oper with a season of his works: opening with his Trio chamber composition, it then moves to the main stage with an opera double bill featuring The Nose and Lady Macbeth of Mtsensk, both under Barrie Kosky’s inimitable direction.

© Jan Windszus Photography
© Jan Windszus Photography
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