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Nikolaj Szeps-Znaider

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ClevelandTchaikovsky's Sleeping Beauty

Berlioz, Saint-Saëns, Tchaikovsky
The Cleveland Orchestra; Nikolaj Szeps-Znaider; Jean-Yves Thibaudet

LondonElgar and Sibelius

Elgar, Sibelius
London Symphony Orchestra; Sir Mark Elder; Nikolaj Szeps-Znaider

San FranciscoSzeps-Znaider plays & conducts Mozart & Elgar's Enigma

Mozart, Strauss R., Elgar
San Francisco Symphony; Nikolaj Szeps-Znaider

LondonFrom the New World

Haydn, Mozart, Dvořák
London Symphony Orchestra; Ádám Fischer; Nikolaj Szeps-Znaider

AtlantaKirill Gerstein Performs Mozart

Mendelssohn, Mozart, Tchaikovsky
Atlanta Symphony Orchestra; Nikolaj Szeps-Znaider; Kirill Gerstein

ChicagoEin Heldenleben

Mendelssohn, Mozart, Strauss R.
Chicago Symphony Orchestra; Nikolaj Szeps-Znaider; Piotr Anderszewski
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Luminous Beethoven and impetuous Connesson in Bruges

Nikolaj Szeps-Znaider © Lars Gundersen
Denève and the Brussels Philharmonic launched into Guillaume Connesson’s Flammenschrift with enough excitement and energy to illuminate the whole city.
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A memorable and thrilling debut for Philippe Jordan with the LSO

Nikolaj Szeps-Znaider © Lars Gundersen
Vitality and contrast characterised Jordan's memorable performance of a colourful and passionate Slavic programme
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Nikolaj Znaider plays Tchaikovsky with Atlanta Symphony Orchestra

Nikolaj Znaider © Lars Gundersen
Cristian Măcelaru joins forces with Nikolaj Znaider in a performance of Tchaikovsky's Violin Concerto with the Atlanta Symphony Orchestra.
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Cleveland Orchestra majestic in Beethoven and Elgar

Nikolaj Znaider © Lars Gundersen
Nikolaj Znaider led The Cleveland Orchestra in two works that shared a key but were otherwise quite disparate: Beethoven’s Emperor Concerto with Yefim Bronfman, and Elgar’s Second Symphony.
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Energy and eloquence from Elder and the LSO in Elgar's Second Symphony

Sir Mark Elder © Benjamin Ealovega
In the sublime funeral march of the Larghetto Elder set a daringly slow tempo, producing a cumulative, sorrowing eloquence as each LSO section tossed its melodic tribute on to the passing cortège.
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Znaider concludes his Mozart cycle in style

Nikolaj Znaider © Lars Gundersen
In Nikolaj Znaider’s return to the LSO, there was a palpable sense of ending. The Mozart violin concertos were played with informal amicability, and Tchaikovsky’s Sixth Symphony was beautifully contained.
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Nikolaj Znaider © Lars Gundersen

Nikolaj Znaider on the Carl Nielsen Competition

The Danish-Israeli violinist won the Carl Nielsen International Competition in 1992, but when he was asked to be its president, he turned it down. Find out why he changed his mind.