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Performer: Ferruccio Furlanetto

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ViennaMacbeth

Verdi: Macbeth
James Conlon; Christian Räth; Vienna State Opera; Gary McCann; George Petean; Tatiana Serjan

LondonSimon Boccanegra

Carlos Álvarez (Boccanegra) © ROH | Clive Barda
Verdi: Simon Boccanegra
Henrik Nánási; Elijah Moshinsky; Royal Opera; Michael Yeargan; Peter J. Hall; Carlos Álvarez; Ferruccio Furlanetto

New York CityPelléas et Mélisande

Debussy: Pelléas et Mélisande
Yannick Nézet-Séguin; Sir Jonathan Miller; Metropolitan Opera; TBC; John Conklin; Clare Mitchell; Isabel Leonard

LondonLa forza del destinoNew production

Verdi: La forza del destino
Sir Antonio Pappano; Christof Loy; Royal Opera; Christian Schmidt; Anna Netrebko; Liudmyla Monastyrska

San FranciscoRusalka

Dvořák: Rusalka
Eun Sun Kim; Sir David McVicar; San Francisco Opera; Rachel Willis-Sørensen; Brandon Jovanovich; Ferruccio Furlanetto; Jamie Barton
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Political intrigues at the Royal Opera as Boccanegra returns

Carlos Álvarez (Boccanegra) © ROH | Clive Barda
An impressively cast revival for Verdi's one-time neglected masterpiece at Covent Garden.
****1
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Enter the madman: Massenet’s Don Quichotte in Sydney

Ferruccio Furlanetto (Don Quichotte) © Ken Howard | San Diego Opera
Massanet’s Don Quichotte is mounted by Opera Australia, in a production which creaks but is held together by fine singing from Ferruccio Furlanetto and Warwick Fyfe.
***11
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Metropolitan Opera pays tribute to Hvorostovsky

Soloists and Met Opera Chorus © Richard Termine | Metropolitan Opera
The Met Opera's concert performance of Verdi's Requiem was an emotional tribute to Dmitri Hvorostovsky. 
***11
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A fine musical display in Don Carlos

Ekaterina Semenchuk (Eboli) and Theresa Zisser (Tebaldo) © Marco Brescia & Rudy Amisano | Teatro alla Scala
Were it not for a sterling musical display, built on the shoulders of bass Ferruccio Furlanetto and conductor Myung-whun Chung, this could have been a very long night indeed.
****1
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Rossini’s Barber falls flat at Covent Garden

Vito Priante (Figaro) and Daniela Mack (Rosina) © ROH | Mark Douet
For the latest revival of Moshe Leiser and Patrice Caurier's candy-striped production, the Royal Opera serves up the operatic equivalent of stodgy semolina.
**111
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