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Venue: Royal Swedish Opera, Stockholm

October 2018
Evening performance
Matinee performance
Fact file
S-103 22
Google maps59° 19' 46.125" N 18° 4' 13.310" E
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StockholmMadama Butterfly

Puccini: Madama Butterfly
Ben Gernon; Kirsten Harms; Royal Swedish Opera; Herbert Murauer; Sara Olsson; Asmik Grigorian

StockholmTristessaWorld première

Bohlin: Tristessa
Fredrik Burstedt; Katharina Thoma; Royal Swedish Opera; Ann-Sofi Sidén; Kerstin Avemo; Johanna Rudström; Susann Végh


Verdi: Aida
Julia Jones; Michael Cavanagh; Royal Swedish Opera; Domingo Hindoyan; Magdalena Åberg; Miriam Treichl


Verdi: Rigoletto
Lionel Bringuier; Sofia Jupither; Royal Swedish Opera; Erlend Birkeland; Maria Geber; Karl-Magnus Fredriksson; Ida Falk Winland

StockholmLa bohème

Puccini: La bohème
José Cura; Royal Swedish Opera; Sabina Bisholt; Andrea Carè


Bizet: Carmen
Joana Carneiro; Johanna Garpe; Royal Swedish Opera; Per A Jonsson; Nina Sandström; Miriam Treichl; Daniel Johansson

StockholmDialogues des Carmélites

Poulenc: Dialogues des Carmélites
Johanna Garpe; Royal Swedish Opera; Per A Jonsson; Nina Sandström; Karl-Magnus Fredriksson; Camilla Tilling

StockholmKing Roger, (Król Roger) Op.46

Szymanowski: King Roger, (Król Roger) Op.46
Grzegorz Nowak; Mariusz Treliński; Royal Swedish Opera; Boris Kudlička; Kaspar Glarner; Łukasz Goliński; Elin Rombo
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Deception reigns in Loy’s Der Rosenkavalier in Stockholm

Adrian Angelico (Octavian) © Sara Strandlund
Malin Byström convinces as the Feldmarschallin with Adrian Angelico as a strong Octavian, under the baton of Alan Gilbert.
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Eugene Onegin in Stockholm: Tatyana steals the show

Cornelia Beskow (Tatyana) © Sören Vilks
Young soprano Cornelia Beskow impresses as Tatyana in an all-Swedish performance of Tchaikovsky’s masterpiece.
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Byström’s thrilling performance as Fedora

Malin Byström (Fedora) © Markus Gårder
After her triumph at the Royal Opera House in London as Salome, Byström comes home to Sweden to great acclaim in Giordano’s opera.
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Great Aida debut for Christina Nilsson

Katarina Dalayman (Amneris) and Christina Nilsson (Aida) © Markus Gårder
The remarkable performance of young soprano Christina Nilsson does not completely rescue a mixed-bag cast and a lack of Personenregie at the Stockholm Royal Opera.
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Iréne Theorin triumphs as Elektra in Stockholm

Iréne Theorin (Elektra) and Cornelia Beskow (Chrysothemis) © Sara Strandlund
A quasi-concertante setting highlights Theorin's masterful performance as Elektra, Cornelia Beskow's fragile, human Chrysothemis and Katarina Dalayman's haunting Klytaemnestra.
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A British Cinderella in Stockholm

Johanna Rudström (Angelina) and Ole Aleksander Bang (Don Ramiro) © Sören Vilks
Lindy Hume's Victorian production brings to life Cinderella's story through the capable hands of Jean-Christophe Spinosi.
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Vampires take centre-stage at Royal Swedish Opera

Ola Eliasson (Dracula) and Elisabeth Meyer (Minna) © Carl Thorborg
A frightyfully enjoyable world premiere of Victoria Borisova-Ollas first opera, turned into a giant Halloween party, where the Kungliga Operan is invaded by an audience of vampires, emaciated Victorian ladies and sinister characters.
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Asmik Grigorian returns to Stockholm as a moving Manon Lescaut

The Royal Swedish Opera Chorus © Markus Gårder
The Lithuanian soprano makes a most welcome return to the Kungliga Operan as one of the most tragic and beloved of Puccini's heroines. 
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