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Curtain up on the Bayerische Staatsoper's 2018-19 season

By , 19 March 2018
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Hammer of the gods: bringing an Icelandic epic to life

By , 16 March 2018
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A cultural omnivore in London: Daniel Kühnel on the British Museum's A symphony of cultures

By , 15 March 2018
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Utopia in a crazy world: Bang on a Can interviewed

By , 14 March 2018
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Christian Merlin: the 21st century orchestra, its intellectual construction and its sonic identity

By , 14 March 2018
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Ten works from the 20th century that shaped contemporary classical music

By , 13 March 2018
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Introducing Der fliegende Holländer: 10 facts about Wagner’s early opera

By , 09 March 2018
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“There are rewards in taking risks”: Patricia Kopatchinskaja on new music and innovation

By , 08 March 2018
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Freedom within discipline: an Indian classical master on his sarod concerto

By , 07 March 2018
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Le Figaro’s Christian Merlin: “Who am I to pass judgement?”

By , 07 March 2018
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A golden line-up for a silver jubilee: the 25th Singapore International Piano Festival

By , 05 March 2018
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Bernstein and the art of symphonic ballet

By , 05 March 2018
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Where technology and spirituality meet opera: Holland Festival previewed

By , 02 March 2018
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Accessing the future with Kronos Quartet

By , 01 March 2018
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Leading from the front: Sakari Oramo interviewed

By , 28 February 2018
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Nicola Porpora as opera composer

By , 26 February 2018
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“Czech music is not just Dvořák, Smetana, Janáček": Marek Štilec on the project Czech Masters in Vienna

By , 26 February 2018
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Alessandro Stradella: cloaks, daggers and musical genius

By , 26 February 2018
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Pierre Audi on Orpheus and thirty years of mythic mystery at Dutch National Opera

By , 26 February 2018
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A cultural melting pot: the Istanbul Music Festival

By , 22 February 2018
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