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Jean-Guihen Queyras, cellist with a thousand faces, on tour with the Orchestre Métropolitain of Montreal

By , 09 November 2017
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Ten benefits of taking part in vocal competitions

By , 08 November 2017
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Eyes on the prize: Interview with Gustav Alink

By , 06 November 2017
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Taking control: Dominique Meyer on bringing technological innovation to the Wiener Staatsoper

By , 03 November 2017
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“Committing to the truth of the moment”: the birth of a new opera company

By , 02 November 2017
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“Working with young people keeps you young": Gordon Back talks about the Menuhin Competition

By , 01 November 2017
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Competitions month on Bachtrack: Top international music competitions

By , 01 November 2017
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An all-round experience: Q & A with Marianna Shirinyan

By , 01 November 2017
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Prospecting for operatic gold: John Adams on Girls of the Golden West and writing new music

By , 01 November 2017
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Passionate about piano: interview with Alain Lompech

By , 30 October 2017
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The clarinet as true protagonist: Joseph Phibbs and Mark van de Wiel on bringing a new concerto to life

By , 26 October 2017
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Cyprien Katsaris, the good genie of the piano

By , 24 October 2017
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Spotting talent: Adam Gatehouse, artistic director of the Leeds International Piano Competition

By , 23 October 2017
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Ahead of Orchestre Métropolitain's European tour: in conversation with Alexandre Tharaud

By , 23 October 2017
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Five best places to visit in Utrecht

By , 20 October 2017
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Full of natural bounce: Santtu-Matias Rouvali, Gothenburg Symphony's new Chief Conductor

By , 19 October 2017
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Tabea Zimmermann: an appetite for the new

By , 18 October 2017
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Orchestrating the sublime: six works inspired by the sea

By , 18 October 2017
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The At Home Guide: Disbelieving Composers, Sacred Music

By , 17 October 2017
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The Road to Modernism: pianistic shock waves from 20th century pioneers

By , 16 October 2017
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