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Liberation, Harmony and Invention: Rare gems and Baroque giants in Valletta

By , 18 September 2017
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Soviet composers in the late 20th century

By , 14 September 2017
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Witnessing history: Ashkenazy on Shostakovich, Rachmaninov and the Tchaikovsky Competition win

By , 13 September 2017
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Q&A: Lisa Smirnova

By , 13 September 2017
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Totally Epic: Sibelius and the Kalevala

By , 12 September 2017
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Q&A: Lise Davidsen

By , 11 September 2017
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From Russia to Cardiff: Wales marks the centenary of the Russian Revolution

By , 08 September 2017
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Bernstein 100: the LSO’s tribute to a big-hearted man

By , 07 September 2017
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Lionising the Past: Russian Composers and History

By , 06 September 2017
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Muddle instead of music: Stalin and Lady Macbeth of Mtsensk

By , 05 September 2017
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Disentangling truth from propaganda: Shostakovich's Leningrad Symphony

By , 04 September 2017
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Berlioz’s sick soul: the story of Symphonie Fantastique

By , 04 September 2017
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Remembering a life in chamber music: Interview with Simon Majaro

By , 01 September 2017
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Terms for writing articles and reviews for Bachtrack

By , 01 September 2017
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Music of the Russian Revolution: from Scriabin to Shostakovich

By , 01 September 2017
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Diaghilev and the Ballets Russes

By , 25 August 2017
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Walk on the wild side: Bach and Buxtehude

By , 23 August 2017
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Postcard from Seoul, Korea

By , 18 August 2017
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A storybook world of ballet

By , 13 August 2017
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“I have never felt more depressed for English music”: Britten's influences

By , 11 August 2017
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