Articles, quizzes and news

Top Six Women Baroque Composers

By , 08 March 2017
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Bringing world culture to Oman’s doorstep: the Royal Opera House Muscat

By , 07 March 2017
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Celebration time! All systems go for the European Day of Early Music

By , 07 March 2017
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Baroque and Early Music Festivals: the 2017 guide

By , 01 March 2017
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Three festivals for Mr. Handel in his homeland

By , 01 March 2017
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Baroque Inquisition: Michael Schneider

By , 01 March 2017
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Baroque inquisition: La Venexiana

By , 01 March 2017
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Spectacular voices, ancient themes: Innsbruck Festival of Early Music 2017

By , 01 March 2017
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Classical Music in Latvia in 2017

By , 01 March 2017
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A theatrical feast: Cavalli's Hipermestra opens the 2017 Glyndebourne Festival

By , 01 March 2017
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“Throwing paint at the canvas”: Ryan Wigglesworth on composing his first opera

By , 24 February 2017
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“It’s not a Cinderella story”: Kristine Opolais on returning to Rusalka

By , 24 February 2017
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Brian Jagde on flawed characters and finding his voice

By , 23 February 2017
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Familiar venue, new team: the new Grange Festival's artistic director Michael Chance

By , 22 February 2017
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From Crumb to Kaufmann: Holland Festival 2017 revealed

By , 21 February 2017
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No cookie cutter soprano: Joyce El-Khoury on Violetta… and why Musetta is such fun

By , 21 February 2017
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A wealth of new productions for Dutch National Opera’s 2017-18 season

By , 20 February 2017
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Vacancy: Content creator needed

By , 19 February 2017
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Brussels, a dance capital

By , 17 February 2017
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“On stage, your soul is naked”: Ermonela Jaho on her heartbreaking soprano roles

By , 17 February 2017
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