From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.
Bryce Dessner enters the Czech Philharmonic’s living tradition with electric guitars, a new cello concerto and a composer’s ear for landscape, history, collaboration and renewal.
Founded in 1945, London’s Philharmonia Orchestra is celebrating its 80th anniversary this year with an ambitious season featuring many returning artists, and an extensive US tour.
With concerts featuring Myung-whun Chung at the piano, Pinchas Zukerman leading from the podium, and inventive programming from Chief Conductor Andrea Battistoni, the Tokyo Philharmonic’s 2025 season straddles many divides.
The English conductor talks about his bond with the storied Swiss orchestra he has helmed since 2017, and how they plan to recreate the danger of Stravinsky’s famous ballet.
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.
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