Giulio Prandi, conductor of Coro e Orchestra Ghislieri, and violinist and concertmaster Gabriele Pro talk about crossing borders, adopting shared sensibilities, and the challenges facing historically informed musicians in Italy today.
Birmingham Royal Ballet’s Jonathan Payn talks about The Green Table by Kurt Jooss, first performed in Paris in 1932 – and how choreography can respond to political collapse and the threat of war.
A group of younger Croatian musicians, including new ensemble Gli Schiavoni, are determined to recover the historical music of Croatia, despite a devastating series of earthquakes and armed conflicts.
Amanda Britton, Artistic Director of Rambert School, talks about an exchange and collaboration between the Rambert School and Juilliard to create a new work by Wayne McGregor, a unique project.
Renowned harpsichordist Jean Rondeau presents a new view of Bach’s Goldberg Variations at this year’s Bachfest Schaffhausen, including in arrangement for Baroque ensemble, and as a new composition for piano, percussion and electronics inspired by the cycle.
With a background in Dance Studies, Literature and Linguistics (MA English Studies from Zurich University and PhD in dance philosophy from the University of Roehampton in London) and a formation as a modern dancer (Ballet Arts, NYC), Katja is a freelance dancer, choreographer, dance researcher and dramaturge currently living in Berlin.
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