Christopher Carr talks about the challenges of resetting Ashton’s Birthday Offering for a new generation, and how grateful he is to have notation to refer to the original choreography.
Liam Francis talks openly about creating a new dance company, finding his choreographic voice, successes and insecurities, and a circuitous route to securing a life in dance.
With a penchant for Baroque music in historical livery, Collegium Musicum Riga are part of a small but distinctive Early music scene in Latvia, initiating collaborations with others across the Baltic states.
Giulio Prandi, conductor of Coro e Orchestra Ghislieri, and violinist and concertmaster Gabriele Pro talk about crossing borders, adopting shared sensibilities, and the challenges facing historically informed musicians in Italy today.
With a background in Dance Studies, Literature and Linguistics (MA English Studies from Zurich University and PhD in dance philosophy from the University of Roehampton in London) and a formation as a modern dancer (Ballet Arts, NYC), Katja is a freelance dancer, choreographer, dance researcher and dramaturge currently living in Berlin.
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