Orffs Carmina aus Sicht des Chors

By David Renke, 11 March 2015

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“Mit Carmina Burana beginnen meine gesammelten Werke”

Simon Cummings, 12th March

One of the strongest advocates for traditional Estonian folksong, or regilaul, Veljo Tormis’ unique music is celebrated this year with a worldwide singing contest.

Something completely different: the Muziekgebouw aan ’t IJ

Lawrence Dunn, 29th May

With an eclectic programming ethos, and some of the finest acoustics in the Netherlands, the Muziekgebouw aan ’t IJ is about as adaptable as it’s possible for a modern concert hall to be.

Thousands of voices raised in song: choral traditions at Tartu 2024

Stephen Pritchard, 5th December

Choral conductor Ingrid Mänd discusses the phenomenon of choral singing in Estonia, Veljo Tormis’ haunting Forgotten Peoples, and the thousands gathering for the Tartu Song and Dance Festival.

An alternative choral Christmas

Hugh Morris, 21st December

Exploring choral selections from Sweden, Chile, Russia, Ukraine, Canada, Dominica and Nigeria, to bring a variety of festive splendour to the end of this year.

Łukaszewski on the “Joy and Devotion” festival

David Karlin, 29th October

The prolific Polish choral composer tells us about Polish sacred music and about his new festival that will introduce British audiences to this unfamiliar genre.

Finespun sound: Manchester’s Bridgewater Hall and beyond

Lawrence Dunn, 10th March

We profile one of the most advanced and best-sounding concert halls in the UK, and take a look further afield at arts and culture across Manchester.

David Renke

David Renke, geboren in München, hat Musikwissenschaft an der Universität zu Köln studiert, wechselte dann zum Studiengang Medien und Kommunikation an die Universität Passau. Er spielt Klavier, Gitarre und ist als Sänger in verschiedenen Chören in Süddeutschland tätig. Sein Schwerpunkt liegt bei der Musik des frühen 20. Jahrhunderts.

Carl Orffs Carmina Burana - der Blick aus dem Chor