Principal clarinettist with the CBSO, Oli Janes talks about the elegies, raucous dances and virtuoso fireworks of Bartók’s Concerto for Orchestra, which the orchestra performs in April.
We sit down with Ballet Black’s artistic director Cassa Pancho and dancers Isabela Coracy and Ebony Thomas, to discover the challenges and achievements of the company’s first 25 years.
At the intersection of mathematics and music, the Festum Pi festival brings together theorists and performers to explore one of humanity’s oldest intellectual duets. We spoke with participant Professor Bertrand Maury, acclaimed mathematician and a concert pianist, about this enduring connection.
The young Belgian conductor has had a long association with the Flanders Symphony – and this January he takes the chief’s baton from departing Kristiina Poska, who reaffirmed the orchestra’s crisp, classical sound.
Danny Riley worked as Bachtrack's content creator from 2017-2018 and is now a freelance contributor. Having also written for sites such as The Quietus and Bandcamp, he loves music of all genres, with a particular fondness for folk and minimalism, and recently completed a PhD on representations of sound in contemporary British poetry.
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