The ABC of a young violinist: D is for Deutschland

By Pierre Liscia-Beaurenaut, 25 November 2020

Loading, please wait...

“This Prokofiev ex machina has saved my Berlin expedition from disaster”

Peter Quantrill, 12th March

The Serbian-French violinist talks about what makes the George Enescu International Competition special, his experiences winning in 2001, and performing Enescu, Beethoven and Prokofiev.

Man for all seasons: James Gaffigan goes transatlantic

Kevin W Ng, 6th February

With a contract at Berlin’s Komische Oper extended to 2030, conductor James Gaffigan is soon to take up the music directorship at Houston Grand Opera from 2027. We talk about how he does it all...

How to change your life: Augustin Hadelich

Frank Kuznik, 1st December

Renowned German violinist talks about the life-changing effects of International Violin Competition of Indianapolis, how it feels more like a violin festival, and how there are no small or big concerts.

Theater Regensburg wins Best Opera House 2025

Bachtrack, 6th November

As the winner of the 2025 Best Opera House award, Bavaria's biggest multi-genre theatre, Theater Regensburg, will host the Oper! Awards in 2026.

Stylus fantasticus: Vojtěch Jakl on Early music in Czechia

Lawrence Dunn, 3rd November

Taking a broad look at the current state of Early music across Europe, we talk to young artists in several countries – beginning with talented young Czech violinist, Vojtěch Jakl.

Sunshine and vitamins: Mozart’s Violin Concerto no. 5

Bachtrack, 10th October

The City of Birmingham Symphony’s leader talks about leading Mozart’s last Violin Concerto – a work full of sunshine, clarity and transparency.

Pierre Liscia-Beaurenaut

Amoureux des arts, Pierre Liscia-Beaurenaut évolue parallèlement dans les univers de la littérature et de la musique. Ancien khâgneux du Lycée Henri IV, lauréat du Concours Général en Histoire, il a étudié le violon à l'Université des Arts de Berlin et au Conservatoire National Supérieur de Musique de Lyon. Féru d'orchestre et d'opéra, il a su trouver son équilibre sur Bachtrack où, parallèlement à ses études musicales, il anime la chronique « L'Abécédaire d'un jeune violoniste », consacrée à ses tribulations dans le microcosme très fermé des musiciens classiques.