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Composer: de Lassus, Orlande (1532-1594)

Fact file
Year of birth1532
Year of death1594
May 2019
Evening performance
Matinee performance
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LondonPlatinum Choral Workshop - Magnificat: Pärt, Lassus & Lambe

Platinum Choral Workshop - Magnificat: Pärt, Lassus & Lambe
Pärt, de Lassus, Lambe
Scott Inglis-Kidger; Platinum Consort

LondonLasso: Lagrime di San Pietro

de Lassus: Lagrime di San Pietro
Grant Gershon; Los Angeles Master Chorale; Peter Sellars; James F. Ingalls; Danielle Domingue Sumi

DortmundPsalmen Davids

© Hans Scherhaufer
de Lassus
Vocalconsort Berlin

LondonGarden of Delights

Garden of Delights
Machaut, des Prez, van Weerbeke, Isaac, Brumel, Janequin, Gombert, Rore, Clemens Non Papa, de Lassus, Wheeler
Lucy Goddard; Orlando Chamber Choir

BostonThe Banquet of Bacchus and Cupid: An orgy of decadence

The Banquet of Bacchus and Cupid: An orgy of decadence
Janequin, Sermisy, de Lassus, Attaingnant
Ensemble Clément Janequin
Latest reviewsSee more...

Festive riches from The Sixteen

Andrea Mantegna's The Adoration of the Magi
The Sixteen launched us into the final days before Christmas with a well-thought out and diverse combination of songs on The Three Kings.
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Prom 41: The Misadventures of Sherlock Holmes

Jack Liebeck © BBC | Chris Christodoulou
The BBC Concert Orchestra and Barry Wordsworth were joined by Stile Antico, Jack Liebeck and Christine Rice in an exploration of the musical mind of fictional detective Sherlock Holmes. 
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Ensemble Odhecaton sings Palestrina in Oslo

The Italian male choir Ensemble Adhecaton gave a wonderful performance of Renaissance motets and Palestrina's Missa Papae Marcelli at the Oslo International Church Music Festival.
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Gallicantus sing Lassus' Lagrime de San Pietro at Wigmore Hall

Written in 1594 and published posthumously in Munich the following year, the Lagrime de San Pietro was Orlando de Lassus’ final composition.
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The Tallis Scholars at 40, Gesualdo at 400 at Cadogan Hall

Celebrating their 40th anniversary year, The Tallis Scholars presented a programme of Renaissance polyphony centred around another anniversary – that of Carlo Gesualdo, the 400th anniversary of whose death falls this year. The first half of the concert was a complete performance of Gesualdo’s masterpiece, the Tenebrae Responsories for Holy Saturday (1611).
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