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Composer: Janáček, Leoš (1854-1928)

Find classical music concert, opera, ballet and dance listings | Janáček
August 2020
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AmsterdamPražák Quartet: Beethoven, Smetana and Janáček

© Monika Navratilova
Beethoven, Janáček, Smetana
Pražák Quartet

BerlinKatya KabanovaNew production

© Jan Windszus Photography
Janáček: Katya Kabanova
Giedrė Šlekytė; Jetske Mijnssen; Komische Oper Berlin; Julia Katharina Berndt; Dieuweke van Reij; Mark Vandenesse; Simon Berger

BambergHrůša conducts the Alpensinfonie

© Andreas Herzau
Janáček, Strauss R.
Bamberg Symphony; Jakub Hrůša

BrnoHrůša conducts Janáček and Richard Strauss

© Andreas Herzau
Janáček, Strauss R.
Bamberg Symphony; Jakub Hrůša

LondonAustralian Chamber Orchestra: Kreutzer Sonata

Barbican
Beethoven, Adès, Janáček
Australian Chamber Orchestra; Richard Tognetti
Latest reviewsSee more...

Hrůša and the Czech Phil bring magnificent programme to Cologne

Jakub Hrůša © Pavel Hejnz
The Czech Philharmonic, in tremendous form, still play their core repertoire with unaffected naturalness.
*****
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Zukerman returns to Kansas City to celebrate Beethoven and Isaac Stern

Pinchas Zukerman © Cheryl Mazak
Janáček's The Fiddler’s Child and Mozart's 39th Symphony complete a varied program under Michael Stern.
***11
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Welser-Möst opens 2020 in Cleveland with Czech symphonies and Mozart

Yefim Bronfman, Franz Welser-Möst and The Cleveland Orchestra © © Roger Mastroianni, courtesy of The Cleveland Orchestra
Dvořák’s rarely heard Fourth Symphony and Janáček’s brassy Sinfonietta bookended a Mozart piano concerto with Yefim Bronfman in this varied Cleveland Orchestra program.
***11
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Magdalena Kožená and friends at Alice Tully Hall

Kaspar Zehnder, Simon Rattle, Magdalena Kožená and Dávid Adorján © Kevin Yatarola, courtesy of Lincoln Center
In music by Janaček and Dvořák, Kožená seemed to just enjoy the freedom to perform in her native idiom. 
****1
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Czech lyricism and fervour from the LSO and Kazushi Ono

Kazushi Ono conducts the LSO © Mark Allan | Barbican

Kazushi Ono and LSO forces go with the flow in Janáček’s Glagolitic Mass after a relatively uninspiring first half.

***11
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