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Composer: Davies, Sir Peter Maxwell (1934-2016)

Find classical music concert, opera, ballet and dance listings | Davies
Fact file
Year of birth1934
Year of death2016
NationalityUnited Kingdom
Period20th century
April 2020
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30310102030405
06070809101112
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04050607080910
Evening performance
Matinee performance
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TewkesburySounds Of The Solstice

© Sim Canetty-Clarke
Bennett, Chilcott, Marsh, Davies, Poulenc, Ešenvalds, Holst, Willan, MacMillan, Rutter
Nigel Short; Tenebrae; Richard Allen

KuhmoOn the edge

Bach, Beethoven, Schubert, Mahler, Schumann, Nisinman, Davies
Kuhmo Chamber Soloists

InnsbruckDer LeuchtturmNew production

Davies: The Lighthouse
Seokwon Hong; Kai Anne Schuhmacher; Tiroler Landestheater Innsbruck; Michael D. Zimmermann; Florian Stern; Dale Albright
Latest reviewsSee more...

Inside out: Eight Songs for a Mad King in Auckland

Robert Tucker © Jeff McEwan
The vocal part requires a range covering over five octaves, from the lowest bass notes to a high falsetto and Robert Tucker coped amazingly with the score’s lyrical elements and the various shrieking, whispering and clucking noises he was called upon to create.
****1
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Obsession, isolation and terror at the Royal College of Music

Richard Pinkstone (Sandy), James Atkinson (Blazes) and Timothy Edlin (Arthur), different cast © Chris Christodoulou
Two contemporary operas give us darkness and death in riveting, inexorable performances. 
****1
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Fantastic evening of “Scottish Fantasy” with the Hong Kong Phil

Long Yu © Askonas Holt
Scotch snap aplenty in evening of “Scottish Fantasy” with Hong Kong Philharmonic. 
****1
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Scottish Fantasies with the Philadelphia Orchestra

Yannick Nézét-Séguin © Marco Borggreve
We were drenched in all sorts of dreams about Scotland as the Philadelphia Orchetra celebrated the country in their British Isles Festival
****1
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Proms at... Wilton’s: Conference of the Birds

Marcus Farnsworth performs Eight Songs for a Mad King © BBC | Mark Allan
The Birmingham Contemporary Music Group present an ambitious mixture of experimental chamber music and disquieting monodrama. 
***11
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