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Composer: Monteverdi, Claudio (1567-1643)

October 2018
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Evening performance
Matinee performance
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LondonHelen Charlston with Toby Carr

© Benjamin Ealovega
Strozzi, Monteverdi, Kapsberger
Helen Charlston; Toby Carr

BerlinConcerto Italiano (Madrigale & Motetten)

Marenzio, de Wert, Nenna, Luzzaschi, d'India, Monteverdi
Concerto Italiano; Rinaldo Alessandrini; Monica Piccinini; Raffaele Giordani; Sonia Tedla; Luca Cervoni

LondonOrchestra of the Age of Enlightenment: Barbara Strozzi – Star of Venice

Orchestra of the Age of Enlightenment: Barbara Strozzi – Star of Venice
Strozzi, Monteverdi
Orchestra of the Age of Enlightenment; Choir of the Age of Enlightenment; TBC

QrendiMissa in Illo Tempore SV205 by Claudio Monteverdi

Monteverdi: Missa in illo tempore
Valletta International Baroque Ensemble; The Monteverdi Project

DijonMonteverdi

Monteverdi
Leonardo García Alarcón; Choeur de l'Opéra de Dijon
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A gripping Return of Ulysses from Opera Collective Ireland

Gyula Nagy (Ulysses) © Marshall Light Studio
Fine singing all round, sensitive continuo musicianship and dramatic action make for a thoroughly enjoyable Return of Ulysses by Monteverdi.
****1
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Sacrifice to passion: L’incoronazione di Poppea in Salzburg

Kate Lindsey (Nerone) and Sonya Yoncheva (Poppea) © Salzburger Festspiele | Maarten Vanden Abeele
A wonderful cast conducted by William Christie in a new production of L’incoronazione di Poppea at the Salzburg Festival. 
****1
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A metaphor for the modern world in Zurich

Julie Fuchs (Poppea) © Monika Rittershaus
Calixto Bieito sets Monteverdi’s L’incoronazione di Poppea in a hedonist, decadent society whose citizens are defined by their egotism, ambition and sexual exploits.
****1
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Opera Atelier's strengths reinforced with Monteverdi

Krešimir Špicer (Ulysses) and Christopher Enns (Telemaco) © Bruce Zinger | Opera Atelier
Opera Atelier's return to the earliest part of the repertoire with Monteverdi's Il ritorno d'Ulisse in patria showcases their strengths in a relatively restrained production anchored by a strong ensemble cast.
***11
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O/MODƏRNT at Wigmore Hall: A descent into melodrama

Hugo Ticciati © Marco Borggreve
Conceptually, the programme of descending and rising fourths offered a real treat: in practice, the musicians' skill was in danger of being lost as they attempted to recover from their opening gimmickry.
***11
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