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Composer: Monteverdi, Claudio (1567-1643)

Find classical music concert, opera, ballet and dance listings | Monteverdi
October 2020
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OsloItalian Inspiration and Finnish Feelings

Monteverdi, Vivaldi, Sibelius
Oslo Philharmonic Orchestra; Klaus Mäkelä; Louisa Tuck; Truls Mørk

NurembergL'Orfeo

Martin Platz (Orfeo) und Julia Grüter (Euridice) © Ludwig Olah
Monteverdi: L'Orfeo (Orpheus), SV318
Joana Mallwitz; Jens-Daniel Herzog; Staatstheater Nürnberg; Mathis Neidhardt; Martin Platz; Julia Grüter

CologneLucy Crowe, English Baroque Soloists, Sir John Eliot Gardiner

Handel, Monteverdi, Purcell
English Baroque Soloists; Sir John Eliot Gardiner; Lucy Crowe

BerlinL'Orfeo

Monteverdi: L'Orfeo (Orpheus), SV318
Jonathan Cohen; Sasha Waltz; Staatsoper Berlin; Alexander Schwarz; Beate Borrmann; Georg Nigl; Anna Lucia Richter

ParisLe Combat de Tancrède et Clorinde

Monteverdi, Merula, Castello, Ivanović, Berio, Marini
La Cetra Baroque Orchestra; Andrea Marcon; Magdalena Kožená
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Final Edition for the Richard Alston Dance Company

Elly Braund and Nicholas Shikkis in Voices and Light Footsteps © Chris Nash
The final full stop for a much-loved company
****1
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An Orfeo of infinite beauty by Nederlandse Reisopera

Samuel Boden (Orfeo) © Marco Borggreve
The brainchild of opera director Monique Wagemakers, choreographer Nanine Linning and visual artist Lonneke Gordijn, this Orfeo by Nederlandse Reisopera is a thing of infinite beauty.
*****
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Richard Alston Dance Company's Final Edition

Nicholas Shikkis and Elly Braund in Voices and Light Footsteps © Chris Nash
It is sad that Final Edition will be Richard Alston dance company's final tour, but it is a fantastic production to leave us with.
****1
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Orfeo meets the Bacchae: Monteverdi with a twist in Budapest

La favola d'Orfeo © Judit Horváth
Iván Fischer’s take on Monteverdi’s opera offers a radical rewriting within the trappings of a traditional staging.
***11
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Pinchgut takes on Il ritorno d'Ulisse in patria

Fernando Guimarães (Ulisse) © Brett Boardman

Monteverdi’s Il ritorno d’Ulisse in patria is given the Pinchgut treatment, with an abstract staging complementing historically informed music-making under Erin Helyard.

****1
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