As the idiosyncratic, laconic Hungarian composer approaches his 100th birthday, we talk to Pierre-Laurent Aimard about his decades-long relationship with György Kurtág, on his unique playfulness and gift-giving.
Thomas Leininger’s Baroque-inspired children’s opera at Geneva’s La Cité Bleue is a unique stylistic departure, which asks the essential question: what happened to the dinosaurs left off Noah’s Ark?
Returning to conduct Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia this November, John Adams reflects on the situation of music in the US – and why he has so often been labelled a ‘political’ composer.
Contemporary music theatre seems to be in a state of rude health, and we preview several new stage works soon to hit the boards this coming season at venues and opera houses around the world.
Arvo Pärt’s contributions to contemporary choral repertoire are exceptional, and conductor Paul Hillier and the Hilliard Ensemble have been crucial collaborators for more than three decades.
Peter Reynolds was a composer and writer on music living in Cardiff. He was a part-time member of staff at the Royal Welsh College of Music and Drama and, in 2009, published a history of the BBC National Orchestra of Wales. Very sadly he passed away on 11th October 2016.
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