Bastille : une Traviata sagement fastueuse, Marina Rebeka résolument lumineuse

By Suzanne Lay-Canessa, 04 February 2018

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“Marina Rebeka, dans le rôle-titre, remporte tous les suffrages”

Reviewed at Opéra national de Paris: Opéra Bastille, Paris on 2 February 2018

Verdi, La traviata

Opéra national de Paris

Dan Ettinger, Conductor

Benoît Jacquot, Director

Sylvain Chauvelot, Set Designer

Christian Gasc, Costume Designer

Marina Rebeka, Violetta Valéry

Ramë Lahaj, Alfredo Germont

Vitaliy Bilyy, Giorgio Germont

Virginie Verrez, Flora Bervoix

Julien Dran, Gastone de Letorières

Philippe Rouillon, Baron Douphol

Isabelle Druet, Annina

Tiago Matos, Marquis d'Obigny

Tomislav Lavoie, Dr Grenvil

Chœurs de l'Opéra national de Paris

Orchestre de l'Opéra national de Paris

Pomp meets ping-pong: Nixon in China lands again in Paris

David Karlin, 14th March

Excellent vocal acting from Thomas Hampson, Renée Fleming, Xiaomeng Zhang and a magnificent orchestral performance conducted by Kent Nagano can't make Valentina Carrasco's production fully grip.

***11

Thomas Adès’ high-flying Exterminating Angel in Paris

Erwan Gentric, 29th February

The French premiere of the British composer's opera will be the undisputed high point of the Grande Boutique's season: a perfect confluence of music, staging and cast.

*****

Shock and awe in Paris with Bernstein's A Quiet Place

David Karlin, 9th March

In the expert hands of both director Warlikowski and conductor Kent Nagano, the sequel to Bernstein's Trouble in Tahiti proves to be even darker and more dramatic.

*****

A long road to nowhere for Igor at the Bastille

Mark Pullinger, 1st December

Barrie Kosky's makes a limited impact in his debut at Opéra de Paris, apart from an hallucinogenic Polovtsian Dances.

***11

Les Indes galantes: with Alarcón, Rameau conquers the Bastille

Philippe Ramin, 28th September

The new production of Les Indes galantes at Opéra Bastille is exceptional, from the vocal cast to the choreography by Bintou Dembélé. But the stand-out performance of the evening comes from conductor Leonardo Garcia Alarcón.

*****

Don Giovanni according to Ivo van Hove: a puritan despite himself?

Pierre Liscia-Beaurenaut, 16th June

Don Giovanni returns to the Palais Garnier. The production by Ivo van Hove lacks energy but is wonderfully served by a cast of great young talents.

***11

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Suzanne Lay-Canessa

Docteure en littérature comparée, passionnée de langues, Suzanne a consacré sa thèse de doctorat à Jean-Sébastien Bach. Elle enseigne le français, la littérature et l’histoire de l’Opéra à l’Institute for American Universities et à Sciences Po Aix. Collaboratrice régulière du journal Zibeline, elle publie dans les rubriques Musiques, Livres, Cinéma, Spectacle vivant et Arts Visuels.