Jordi Savall y Le Concert des Nations Féminin en L'Auditori

By Maria Sánchez, 18 November 2023

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Reviewed at L'Auditori: Sala Pau Casals, Barcelona on 16 November 2023

Vivaldi, Concerto for violin and cello in F major, RV 544 "Il Proteo, ossia il mondo al rovescio"

Vivaldi, Il cimento dell'armonia e dell'inventione: Violin Concerto in E flat major, Op.8 no. 5, RV 253 "La tempesta di mare"

Vivaldi, L'estro armonico: Concerto for 4 violins, cello and strings in B minor, Op.3 no.10, RV 580

Vivaldi, The Four Seasons (Il cimento dell'armonia e dell'inventione), Op.8 no. 1-4

Vivaldi Acadèmia 2023

Le Concert des Nations Féminin

Jordi Savall, Conductor

Alfia Bakieva, Violin

Laure Aubert, Narrator

Savall conducts Beethoven and Haydn at the Elbphilharmonie

Mengguang Huang, 3rd April

Beethoven's Christus am Ölberge is paired with Haydn's Die sieben letzten Worte, a journey from agony to transcendence in which the agony proves the more honest companion.

***11

In Berlin, Jordi Savall stars in a Mozart double-bill

Elena Luporini, 16th March

The Catalan conductor and his Concert des Nations bring an all-Mozart programme to the Berlin Philharmonie, with the help of the basset clarinet.

****1

Ballet du Capitole’s double bill: a glorious musical feast

Jonathan Gray, 24th October

The conducting of Jordi Savall thrills during the Ballet du Capitole's double bill of ballets by Gluck.

****1

Le Concert des Nations: Ravel for the ages at Saint-Jean-de-Luz

Roy Westbrook, 3rd September

Jordi Savall explores the music of Maurice Ravel within the context of the French Baroque and beyond.

****1

A garden of musical delights: La clemenza di Tito at the Mozartwoche

Orsolya Gyárfás, 25th January

While the semi-staging falters, Hanna-Elisabeth Müller and Magdalena Kožená prove a thrilling pair in Mozart's final opera seria.

***11

Savall's Beethoven sets Salzburg aflame

Mark Pullinger, 7th August

At the Salzburg Festival, Savall pairs two of Beethoven's most revolutionary symphonies in fiery performances.

*****

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Maria Sánchez

Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.

Maestros que vuelven a los maestros: Jordi Savall y Le Concert des Nations Féminin convocan las escrituras de Vivaldi