Currentzis levanta al público en el Palau con a Novena de Bruckner

By Maria Sánchez, 25 March 2025

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“musicAeterna demostró, nuevamente, el potencial con el que cuenta para abastecer de sentido una obra”

Reviewed at Palau de la Música, Barcelona on 23 March 2025

Bruckner, Symphony no. 9 in D minor, WAB 109

musicAeterna

Teodor Currentzis, Conductor

A hole in the heart: Salzburg Festival’s new Don Giovanni

Hugo Shirley, 4th August

The pairing of controversial director and bad-boy conductor brings some thrills but the Salzburg Festival's new Don Giovanni proves disappointingly uninvolving.

***11

An online Beethovenathon: all nine symphonies across Europe in one day

Alexander Hall, 6th June

An all-day Beethoven experience European style with both highs and lows: much diversity revealed and exploited but of variable quality.

***11

An outstanding New York debut for Teodor Currentzis and musicAeterna

Edward Sava-Segal, 21st November

In Currentzis' vision, Verdi's Requiem was both a spectacle and a soul-searching exercise for the musicians, as well as for the listeners.

****1

An evangelical happening in Aix

Mark Valencia, 14th April

The musicians of MusicAeterna were impassioned, engaged and energised into a single force in this performance of Verdi's Requiem at the Aix Easter Festival.

****1

Cool brilliance: Currentzis conducts Mahler at the Philharmonie

Hugo Shirley, 5th December

Theodor Currentzis and his musicAeterna bring blistering detail and revelatory playing to Wunderhorn-period Mahler, but it ultimately proves short on warmth.

****1

Electrifying Beethoven from Currentzis and musicAeterna

Mark Pullinger, 28th July

The Greek conductor and his hand-picked Russian orchestra offer high-voltage Beethoven that crackles.

*****

More reviews...

Maria Sánchez

Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.

Un triunfo concluido por Currentzis y musicAeterna: la Novena de Bruckner levanta al público en el Palau