Unas bodas sin postín: Le nozze di Figaro en El Escorial

By Juan José Freijo, 24 July 2017

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Reviewed at Teatro Auditorio Escorial, El Escorial on 22 July 2017

Mozart, Le nozze di Figaro (The Marriage of Figaro)

Yi-Chen Lin, Conductor

Giorgio Ferrara, Director

Dante Ferretti, Set Designer

Maurizio Galante, Costume Designer

Carmela Remigio, Countess Almaviva

Katerina Tretyakova, Susanna

Clara Mouriz, Cherubino

Lucas Meachem, Count Almaviva

Simón Orfila, Figaro

Valeriano Lanchas, Doctor Bartolo

Coro de la Comunidad de Madrid

Orquesta de la Comunidad de Madrid

Maggio Musicale Fiorentino's Don Giovanni falls at the final hurdle

Laura Servidei, 6th May

The Maggio postpones Pountney’s expected new production of Don Giovanni, presenting Ferrara’s production from Spoleto instead, with a good cast in the hands of Zubin Mehta.

**111

A noble Norma trapped in a hollow dystopia

Andrew Larkin, 24th May

Salome Jicia delivers a vocally impressive and emotionally committed Norma, but Orpha Phelan’s post-apocalyptic staging fatally weakens Bellini’s sacred tragedy.

***11

A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne

Dominic Lowe, 23rd May

Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.

****1

Superb musical performances in Pinchgut's Scarlatti rarity in Sydney

Sandra Bowdler, 23rd May

As usual, Pinchgut lavishes musical excellence on an obscure Baroque work... but why stage an oratorio?

****1

The Met’s Frida y Diego proves visually stunning, musically thrilling

David Wolfson, 22nd May

Deborah Colker and her design team create visually vibrant worlds for the Met’s new production of El último sueño de Frida y Diego, by Pulitzer Prize winner Gabriela Lena Frank.

*****

Glyndebourne’s first Tosca: vocally strong but imperfect

David Karlin, 21st May

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

***11

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Juan José Freijo

Juan José Freijo nació en Madrid en 1970. Desde siempre apasionado por el estudio de la música, sus intereses orbitan principalmente alrededor de la ópera y el género vocal. Inició su formación y carrera profesional en el campo de las ciencias, donde completó un doctorado en física aplicada. Más adelante, amplió su formación en diferentes áreas de humanidades, incluyendo estudios en historia del arte y en la actualidad un postgrado en filosofía teórica y práctica. Juan José Freijo sigue de cerca las temporadas de las principales capitales europeas y durante los últimos años ha estado a cargo de la sección de crítica musical de ocioxocio.com.