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La Orquesta Barroca de Helsinki presentó una velada dieciochesca con repertorio nórdico en la Sala de Cámara

By Pablo FitzGerald Cerdán, 12 December 2015
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“En la cantata de Haydn, Groop mostró todas sus dotes expresivas con gran elegancia en el discurso”
Reviewed at Auditorio Nacional de Música, Madrid on 10 December 2015
Programme
Roman, Sinfonía en mi menor, BeRi 22
Kraus, Ch'io mai vi possa, VB59
Kraus, Ma tu tremi, VB63
Kraus, Du temps, qui détruit tout, VB58
Bach, Keyboard Concerto no. 3 in D major, BWV1054
Haydn, Divertimento in C major for two violins and continuo, Hob XIV:8
Haydn, Arianna a Naxos, cantata, Hob XXVIb:2
Performers
Helsinki Baroque Orchestra
Monica Groop, Mezzo-soprano
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****1
Slavonic, dramatic, overwhelming - Janáček's Glagolitic Mass at the Royal Festival Hall
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Steve Reich at 90 celebrated in Liverpool
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As part of the Southbank Centre's Multitudes festival, Unnatural Harmony: Sounds of Lee Alexander McQueen offers a multimedia tribute to the life and creative vision of the iconic British fashion designer. 
****1
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Read reviews of
Arianna a Naxos, cantata, Hob XXVIb:2Helsinki Baroque OrchestraJohann Sebastian BachJoseph HaydnJoseph Martin KrausKeyboard Concerto no. 3 in D major, BWV1054Monica Groop
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Pablo FitzGerald Cerdán
Pablo FitzGerald Cerdán
Pablo FitzGerald Cerdán (Madrid, 1994) estudió el grado medio de guitarra clásica en el Conservatorio Profesional de Música de Arturo Soria, y actualmente estudia el grado medio de Instrumentos de Cuerda Pulsada del Renacimiento y el Barroco en el mismo centro, además de cursar, desde 2012, el Grado en Musicología en la Universidad Complutense. Como intérprete de música antigua, ha realizado cursos de perfeccionamiento y forma parte de grupos especializados en la interpretación de este repertorio, además de presentarse como solista. Como musicólogo ha ofrecido conferencias. Colabora también con la revista Síneris y es cofundador del blog 'Lírica para todos'.