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Arcadi Volodos: un sonido reconocible en el caleidoscopio de Schubert, Rachmaninov y Scriabin

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“Lo que Volodos nos ofrece es escuchar la música desde el lado del silencio”
Reviewed at Auditorio Nacional de Música, Madrid on 8 January 2019
Schubert, Piano Sonata in E major, D.157
Schubert, Six moments musicaux, D.780
Rachmaninov, Études-tableau in C minor, Op.33 no.3
Rachmaninov, Serenade for piano, Op.3 no.5
Rachmaninov, Prelude in C sharp minor for piano, Op.3 no.2
Rachmaninov, How fair this spot (Zdes' khorosho), Op.21 no.7 (Arr. A. Volodos)
Scriabin, Mazurka in E minor, Op.25 no.3
Scriabin, Caresse dansée for piano, Op.57 no.2
Scriabin, Enigme, Op.52 no. 2
Scriabin, Two Dances, Op.73
Scriabin, Vers la flamme, Op.72
Rachmaninov, Prelude in B minor, Op.32 no.10
Arcadi Volodos, Piano
A poet of the keyboard: Arcadi Volodos and the measure of an artist
*****
Technical excellence but muted expressivity: Arcadi Volodos
***11
Volodos takes his listeners to the edge of the abyss
*****
Full-bodied Brahms and Schubert from Arcadi Volodos
****1
Passion, individuality and extremes: Arcadi Volodos in recital
****1
Revelatory Brahms: The Gewandhaus Orchestra at the Barbican
****1
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