The Israel Philharmonic’s debut at Hamburg’s Elbphilharmonie showcases Lahav Shani’s elegant precision, Martin Fröst’s vivid virtuosity and Paul Ben-Haim’s rare symphonic voice, culminating in radiant musical unity.
From Bernstein’s private elegy to Tchaikovsky’s tempered affirmation, the Israel Philharmonic offers an evening of reflection, discipline and quiet radiance.
After a three-years hiatus, the orchestra returns to New York, with violinist Gil Shaham playing Tchaikovsky's Violin Concerto before an assured Prokofiev Fifth Symphony.
In a work as complex and multifaceted as Mahler’s Third, plumbing the depths of the music is not a trivial task. Mehta and his orchestra shone in moments but not uniformly across the symphony.
Ramón del Buey Cañas (Madrid, 1993) es Personal Docente e Investigador en Formación del Departamento de Filosofía de la Universidad Autónoma de Madrid; miembro del equipo directivo de la Asociación de Música Electroacústica y Arte Sonoro de España y programador de Filmadrid Festival Internacional de Cine.
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