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Un director valiente: Pablo González al frente de la Dresdner Philharmonie en el Auditorio Nacional

By David Santana Cañas, 26 January 2024
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Reviewed at Auditorio Nacional de Música, Madrid on 24 January 2024
Programme
Mozart, Piano Concerto no. 25 in C major, K503
Mahler, Symphony no. 10 in F sharp major: Adagio
Strauss R., Tod und Verklärung (Death and Transfiguration), Op.24
Performers
Dresden Philharmonic
Pablo González, Conductor
Francesco Piemontesi, Piano
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Elegant guise from Arabella Steinbacher with Dresden Philharmonic
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A polished Tchaikovsky Violin Concerto from Arabella Steinbacher preceded a forceful Shostakovich 5 from Michael Sanderling as the Dresden Philharmonic continue their UK tour.
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Mercurial Schumann and portentous Bruckner in Cologne
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Marek Janowski returns to Weber’s Euryanthe
John Johnston, 19th January
Emily Magee was in glowingly refulgent voice as the 'damsel in distress', Euryanthe, in this concert performance of Weber's rarity. 
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Beethoven from Dresden in Cardiff
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As this visiting orchestra from Saxony reached the closing stages of their 2 week UK tour they still had some terrific commitment and punch to their sound.
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Read reviews of
Dresden PhilharmonicFrancesco PiemontesiGustav MahlerPablo GonzálezPiano Concerto no. 25 in C major, K503Richard StraussSymphony no. 10 in F sharp major: AdagioTod und Verklärung (Death and Transfiguration), Op.24Wolfgang Amadeus Mozart
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David Santana Cañas
David Santana Cañas
David Santana (Bilbao, 1996) comienza sus estudios de música en la especialidad de fagot en el Conservatorio Juan Crisóstomo de Arriaga de Bilbao. En 2014 se traslada a Madrid, donde cursa el grado en Musicología en la Universidad Complutense de Madrid y continúa y finaliza sus estudios musicales de fagot en el Conservatorio Adolfo Salazar de Madrid. Actualmente se encuentra ampliando su formación con la realización del Máster de Investigación de Música Española e Hispanoamericana en la UCM.