Redescubrir a Beethoven de la mano de Jordi Savall

By Jorge Baeza Stanicic, 22 October 2019

Loading, please wait...

See full listing

“Las texturas instrumentales en la versión de Savall se perfilan claras y sobresalientes”

Reviewed at Auditorio Nacional de Música, Madrid on 19 October 2019

Beethoven, Symphony no. 3 in E flat major "Eroica", Op.55

Beethoven, Symphony no. 5 in C minor, Op.67

Jakob Lehmann, Leader

Le Concert des Nations

Academia Beethoven 250

Jordi Savall, Conductor

Savall conducts Beethoven and Haydn at the Elbphilharmonie

Mengguang Huang, 3rd April

Beethoven's Christus am Ölberge is paired with Haydn's Die sieben letzten Worte, a journey from agony to transcendence in which the agony proves the more honest companion.

***11

In Berlin, Jordi Savall stars in a Mozart double-bill

Elena Luporini, 16th March

The Catalan conductor and his Concert des Nations bring an all-Mozart programme to the Berlin Philharmonie, with the help of the basset clarinet.

****1

Ballet du Capitole’s double bill: a glorious musical feast

Jonathan Gray, 24th October

The conducting of Jordi Savall thrills during the Ballet du Capitole's double bill of ballets by Gluck.

****1

Le Concert des Nations: Ravel for the ages at Saint-Jean-de-Luz

Roy Westbrook, 3rd September

Jordi Savall explores the music of Maurice Ravel within the context of the French Baroque and beyond.

****1

A garden of musical delights: La clemenza di Tito at the Mozartwoche

Orsolya Gyárfás, 25th January

While the semi-staging falters, Hanna-Elisabeth Müller and Magdalena Kožená prove a thrilling pair in Mozart's final opera seria.

***11

Savall's Beethoven sets Salzburg aflame

Mark Pullinger, 7th August

At the Salzburg Festival, Savall pairs two of Beethoven's most revolutionary symphonies in fiery performances.

*****

More reviews...

Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.

Redescubrir a Beethoven en el Ciclo de Grandes Autores e Intérpretes de la UAM