El Teatro Fernando de Rojas acoge un recital de Elisabeth Leonskaja

By Jorge Baeza Stanicic, 13 November 2019

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“se mostró implacable con la estructura de la obra y perfiló con claridad los elementos temáticos”

Reviewed at Círculo de Bellas Artes: Teatro Fernando de Rojas, Madrid on 10 November 2019

Mozart, Piano Sonata no. 6 in D major, "Durnitz", K284 (K205b)

Schumann, Études symphoniques, Op.13

Schubert, Piano Sonata no. 21 in B flat major, D.960

Elisabeth Leonskaja, Piano

Batons and broomsticks with Joana Mallwitz in Berlin

Elena Luporini, 22nd February

A folk-centred programme delights Berlin's Konzerthaus under the conducting of Joana Mallwitz – with the special participation of soloist Elisabeth Leonskaja.

****1

Leonskaja and the Staatskapelle Streichquartett at Wigmore Hall

Chris Garlick, 20th September

The contrasts in Brahms' two early piano quartets are highlighted by side by members of the Staatskapelle Streichquartett and Elisabeth Leonskaja.

****1

An unforgettable musical experience at the Ragged School Museum

Chris Garlick, 4th October

The final event of the Ragged School Museum Festival saw a programme of Brahms and Shostakovich in the wonderful Victorian museum, tucked away at the heart of the East End.

*****

Beethoven or bust: anniversary series launched at Wigmore Hall

Mark Pullinger, 15th September

Early and late Beethoven in the closing two recitals of Wigmore Hall's Beethoven Festival Weekend.

****1

Leonskaja's Schubert thrills the Pierre Boulez Saal

David Karlin, 22nd November

A pair of A minor sonatas demonstrate the composer's evolution over his lifetime; the Wanderer Fantasy shows the pianist's mastery of phrasing.

****1

Mediocre Beethoven but brilliant Shostakovich from the SCO

Simon Thompson, 1st February

The SCO’s strings play as though they had an insight into the composer’s psyche that few could share.

****1

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Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.