Segundo reparto de La Cenerentola: el frenesí rossiniano

By Leonardo Mattana Ereño, 27 September 2021

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“Akhmetshina posee una voz segura en todos los registros… Derrocha energía y no escasea en potencia”

Reviewed at Teatro Real: Sala Principal, Madrid on 26 September 2021

Rossini, La Cenerentola (Cinderella)

Teatro Real

Riccardo Frizza, Conductor

Stefan Herheim, Director, Set Designer

Esther Bialas, Costume Designer

Phoenix, Lighting Designer

Daniel Unger, Set Designer

Aigul Akhmetshina, Angelina (Cinderella)

Michele Angelini, Don Ramiro

Borja Quiza, Dandini, valet to Ramiro

Nicola Alaimo, Don Magnifico

Natalia Labourdette, Clorinda

Carol García, Tisbe

Riccardo Fassi, Alidoro

Coro Titular del Teatro Real

Andrés Máspero, Director

Orquesta Titular del Teatro Real

Deborah Warner attains her theatrical dream at the Teatro Real

Juan José Freijo, 12th March

Warner once again displays her unquestionable talent onstage and her affinity with Benjamin Britten, although, on this occasion, the musical aspect are not equally satisfactory.

***11

Illuminating history-makers: Nixon in China lands in Madrid

David Karlin, 17th April

John Adams’ opera about Richard Nixon’s historic meeting with Mao Tse-Tung is performed with all round excellence, with a real find on the podium in the shape of Olivia Lee-Gunderman.

****1

The martyrs and the oppressed: Peter Grimes at Teatro Real Madrid

Juan José Freijo, 19th April

The new production of Peter Grimes stands out as the strongest item in Teatro Real's season, with magnificent staging by Deborah Warner and superb musical direction by Ivor Bolton, with outstanding vocal and dramatic performances.

*****

Reality as a staging concept: La traviata at Teatro Real, Madrid

Juan José Freijo, 22nd July

In this historic reopening, Lisette Oropesa offers a magnificent performance, dramatically overwhelming and vocally very unique.

****1

La Veronal heads Into the Little Hill in Madrid

John Marten Barnard, 15th February

The Teatros del Canal host the Benjamin–Crimp partnership’s thrillingly dark, lyric retelling of Robert Browning’s famous 1842 poem The Pied Piper of Hamelin by La Veronal dance company.

*****

A disappointing new Falstaff from Laurent Pelly at the Teatro Real

Fernando Remiro, 25th April

Comedy fails to spark in Laurent Pelly's new production of Falstaff at the Teatro Real.

**111

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Leonardo Mattana Ereño

Leonardo Mattana (1988) es Doctor en filosofía por la Universidad Autónoma de Madrid. También ha cursado estudios de piano, composición, teoría musical e historia de la música en el conservatorio de Sassari (Italia). Sus pasiones musicales son trasversales, privilegiando la música sinfónica y de cámara, pero sobre todo, buscando siempre en la experiencia estética de la música elementos de reflexión.

Segundo reparto de La Cenerentola: el frenesí rossiniano en la escena del Teatro Real