Sinergias: tres nuevas creaciones en Operadhoy

By Fernando Remiro, 15 June 2015

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“un mundo en el que el trabajo y la tecnología son pesadas losas sobre el individuo y su creatividad”

Reviewed at Teatros del Canal: Sala Roja, Madrid on 14 June 2015

Bernal, 0.997

Galindo, a campo abierto

Rappoport, Leviatán

Sigma Project

Ángel Soria, Saxophone

Aleph Gitarrenquartett, Guitar

Smash Ensemble

Tania Garrido, Dancer

Minguet Vincent, Saxophone

Naüm Monterde, Clarinet

Núria Andorrà, Percussion

Steve Reich at 90 celebrated in Liverpool

Pwyll ap Sion, 29th April

A compelling concert at Liverpool’s Tung Auditorium offers a striking Josephine Stephenson’s UK premiere, dazzling John Adams and Steve Reich’s mesmerising Reich/Richter.

*****

Requiem to a troubled genius at the Southbank’s Multitudes

Chris Garlick, 29th April

As part of the Southbank Centre's Multitudes festival, Unnatural Harmony: Sounds of Lee Alexander McQueen offers a multimedia tribute to the life and creative vision of the iconic British fashion designer.

****1

Dazzling Prokofiev from Alim Beisembayev and the RLPO

Peter Connors, 26th April

In an all-Russian programme in Liverpool, Alim Beisembayev gives a breathtaking performance of Prokofiev's fiendishly difficult Second Piano Concerto.

****1

A Evgeny Kissin tour de force in Boston

Kevin Wells, 25th April

Andrey Boreyko makes an impressive debut with the Boston Symphony, where Evgeny Kissin performs in not one, but two piano concertos.

****1

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

Peter Whelan and Carlos Ferreira ignite Brahms and Weber in Dublin

Andrew Larkin, 24th April

Peter Whelan drew rare urgency and transparency from Brahms, while Carlos Ferreira’s lyrical finesse elevated Weber beyond expectation.

*****

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Fernando Remiro

Fernando studied history and political science. He is passionate about opera and lied, a devoted fan of Benjamin Britten, and a lover of challenging stage productions. He wrote opera reviews for the Spanish musical magazine Ritmo and tweets about opera at @operatweets.

Tres nuevas creaciones escénicas en el festival Operadhoy de Madrid