Humor y musicalidad: La Cenicienta de Rossini en el Municipal

By Álvaro Gallegos, 23 August 2017

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Reviewed at Municipal de Santiago, Santiago on 22 August 2017

Rossini, La Cenerentola (Cinderella)

José Miguel Pérez-Sierra, Conductor

Jérôme Savary, Director

Ezio Toffolutti, Set Designer, Costume Designer

Yaritza Véliz, Clorinda

Josè Maria Lo Monaco, Angelina (Cinderella)

Evelyn Ramírez, Angelina (Cinderella)

Marcela González, Tisbe

Michele Angelini, Don Ramiro

Santiago Burgi, Don Ramiro

Joan Martín-Royo, Dandini, valet to Ramiro

Patricio Sabaté, Dandini, valet to Ramiro

Ricardo Seguel, Alidoro

Pietro Spagnoli, Don Magnifico

Sergio Gallardo, Don Magnifico

Pedro-Pablo Prudencio, Director

“Gloria all’ Egitto”: Aida en el Municipal de Santiago

Álvaro Gallegos, 8th November

Seis años después de una discutida producción, Aida de Verdi volvió al Municipal de Santiago en una magistral producción de Hugo de Ana, que se benefició de un excelente trabajo vocal, coral y orquestal.

***11

A noble Norma trapped in a hollow dystopia

Andrew Larkin, 24th May

Salome Jicia delivers a vocally impressive and emotionally committed Norma, but Orpha Phelan’s post-apocalyptic staging fatally weakens Bellini’s sacred tragedy.

***11

A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne

Dominic Lowe, 23rd May

Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.

****1

Superb musical performances in Pinchgut's Scarlatti rarity in Sydney

Sandra Bowdler, 23rd May

As usual, Pinchgut lavishes musical excellence on an obscure Baroque work... but why stage an oratorio?

****1

The Met’s Frida y Diego proves visually stunning, musically thrilling

David Wolfson, 22nd May

Deborah Colker and her design team create visually vibrant worlds for the Met’s new production of El último sueño de Frida y Diego, by Pulitzer Prize winner Gabriela Lena Frank.

*****

Glyndebourne’s first Tosca: vocally strong but imperfect

David Karlin, 21st May

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

***11

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Álvaro Gallegos

Periodista, investigador, productor de discos y conferencista chileno. De formación musical autodidacta, ha ejercido la crítica en medios escritos y digitales, así como también en radio, con un especial énfasis en la nueva música y la difusión de los compositores de su país.

Humor y musicalidad: La Cenicienta de Rossini en el Municipal de Santiago