Angela Ghiorghiu en récital à Genève

By Thomas Muller, 15 May 2015

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“On aura apprécié ce velouté dans la voix”

Reviewed at Grand Théâtre de Genève, Geneva on 13 May 2015

Mozart, Le nozze di Figaro (The Marriage of Figaro), K492: Overture

Handel, Rinaldo, HWV 7: Lascia ch'io pianga

Gluck, Orphée et Euridice (1774 Paris version): J'ai perdu mon Euridice

Bizet, Carmen: "Habanera", L'amour est un oiseau rebelle

Dvořák, Rusalka: Song to the moon (Mesicku na nebi hlubokem)

Puccini, Turandot: Tu che di gel sei cinta

Massenet, Manon: Adieu, notre petite table

Catalani, La Wally: Ebben, ne andrò lontana

Puccini, Gianni Schicchi: O mio babbino caro

Angela Gheorghiu, Soprano

Orchestre de la Suisse Romande

Tiberiu Soare, Conductor

Orchestre de la Suisse Romande and Buniatishvili in Hamburg

Mengguang Huang, 24th March

Jonathan Nott and the OSR bring surgical precision to Debussy’s vivid sketches, while Khatia Buniatishvili’s Brahms evokes the soulful, improvisational warmth of a pre-war piano legend at the Elbphilharmonie.

****1

Bal Impérial & Boléro: multi-layered work challenges in Geneva

Daniel Pratt, 19th November

The premiere of Bal Impérial by Sidi Larbi Cherkaoui challenges and interrogates to great effect in Geneva.

****1

Nott shapes a visceral arc with the Orchestre de la Suisse Romande

SangKwon Lee, 6th July

Fragmentation to ritual: this was no Rite of Spring of two halves but a single, vast architectural crescendo.

****1

Penthouse decadence for a shattering new Salome in Geneva

Mark Pullinger, 22nd January

The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.

*****

An arthouse staging for Messiaen's testament of beauty in Geneva

Peter Quantrill, 11th April

Installation art sounds a dissonant note with the sublime harmony of Saint François d’Assise in Adel Abdessemed's creation at the Grand Théâtre de Genève.

****1

Justice in Geneva: musically appealing but missing its mark

David Karlin, 22nd January

Director Milos Rau, composer Hèctor Parra and librettist Fiston Mwanza Mujila put the operatic spotlight on the fight for justice after a mining disaster in the DRC, with mixed results.

**111

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Thomas Muller

Podologue spécialisé en Education Thérapeutique du Patient et Diabétologie, chanteur, administrateur de choeur, fondateur d'orchestre et ancien hautboïste amateur, Thomas est passionné de musique et particulièrement vocale. Toujours sensible aux timbres des orchestres et de la capacité des musiciens de développer un chant musical qui provoque chez l'auditeur une émotion vraie, en dehors de tout intellectualisme.

Angela Gheorghiu, entre simplicité et affectation au Grand Théâtre de Genève