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Au Théâtre des Champs-Élysées, Arcadi Volodos laisse la musique venir au monde

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“Il agit, il est là, mais immergé dans une partition qui sourd de son esprit-corps-piano”
Reviewed at Théâtre des Champs-Élysées, Paris on 25 April 2019
Schubert, Piano Sonata in E major, D.157
Schubert, Six moments musicaux, D.780
Rachmaninov, Prelude in C sharp minor for piano, Op.3 no.2
Rachmaninov, Prelude in G flat major, Op.23 no.10
Rachmaninov, Prelude in B minor, Op.32 no.10
Rachmaninov, How fair this spot (Zdes' khorosho), Op.21 no.7 (arr. Volodos)
Rachmaninov, Serenade for piano, Op.3 no.5
Rachmaninov, Étude-tableau in C minor, Op.33 no.3
Scriabin, Mazurka in E minor, Op.25 no.3
Scriabin, Caresse dansée for piano, Op.57 no.2
Scriabin, Enigme, Op.52 no. 2
Scriabin, Two Dances, Op.73
Scriabin, Vers la flamme, Op.72
Arcadi Volodos, Piano
A poet of the keyboard: Arcadi Volodos and the measure of an artist
*****
Technical excellence but muted expressivity: Arcadi Volodos
***11
Volodos takes his listeners to the edge of the abyss
*****
Full-bodied Brahms and Schubert from Arcadi Volodos
****1
Passion, individuality and extremes: Arcadi Volodos in recital
****1
Revelatory Brahms: The Gewandhaus Orchestra at the Barbican
****1
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