Une Saint Matthieu intimiste

By Denis Peyrat, 04 April 2015

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Reviewed at Théâtre des Champs-Élysées, Paris on 1 April 2015

Bach, St Matthew Passion, BWV244

Orchestra of the Age of Enlightenment

Choir of the Age of Enlightenment

Mark Padmore, Conductor, Tenor

Fflur Wyn, Soprano

Paula Murrihy, Mezzo-soprano

Stephan Loges, Bass-baritone

Sophie Bevan, Soprano

Robin Blaze, Countertenor

Andrew Tortise, Tenor

Matthew Brook, Bass-baritone

L’Orfeo, the world’s first great opera, premieres at Glyndebourne

Roy Westbrook, 14th June

One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,

****1

Sir Simon Rattle and the OAE make Berlioz sound radically new

Andrew Larkin, 11th June

Simon Rattle and the Orchestra of the Age of Enlightenment deliver a revelatory all-Berlioz programme, crowned by a sensational Symphonie Fantastique of rare clarity, colour and imagination.

*****

Václav Luks and the OAE deliver operatic scale in Haydn’s Creation

Nick Boston, 27th May

The Orchestra of the Age of Enlightenment under Václav Luks are joined by their own choir and strong soloists for a fresh and colourful performance of Haydn’s Die Schöpfung.

****1

Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

**111

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

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Denis Peyrat

Ingénieur exerçant dans le domaine de l'énergie, il est passionné d'opéra et fréquente les salles de concert depuis le collège. Dès l'âge de 11 ans il pratique également le chant dans diverses formations, en autodidacte mais avec une expérience qui lui permet à présent de faire partie d'un grand choeur parisien.

Aux Champs-Élysées, une Saint-Matthieu intimiste mais pas complètement convaincante