Hommage de Daniel Barenboïm à Claude Debussy

By Arnaud Saura-Ziegelmeyer, 17 January 2018

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“un jeu infiniment délicat”

Reviewed at Halle aux grains, Toulouse on 15 January 2018

Debussy, Préludes: Book 1

Debussy, Estampes

Debussy, Deux Arabesques

Debussy, L'Isle joyeuse, Op.26

Debussy, Suite bergamasque: Clair de lune

Daniel Barenboim, Piano

Joy and hope from Barenboim and the West-Eastern Divan Orchestra

Chris Garlick, 4th November

The West-Eastern Divan Orchestra are on fire with the joy of music-making to the delight of a very sympathetic and enthusiastic audience at London's Southbank Centre.

*****

Barenboim and the West-Eastern Divan return to the BBC Proms

Asher Rubenstein, 11th August

Marking 25 years of the West-Eastern Divan Orchestra, Daniel Barenboim returns to the Proms with violin legend Anne-Sophie Mutter.

***11

Clumsy Liszt, listless Berlioz from Barenboim and the Staatskapelle

Mark Pullinger, 7th March

Some conductors get better with age, ripening like fine wines, but age wearies others. Daniel Barenboim’s decline is difficult to bear.

Don Giovanni laughs off his own death at Staatsoper Berlin

Zenaida des Aubris, 10th April

Finishing up their Mozart-Da Ponte trilogy with Don Giovanni, Daniel Barenboim and Vincent Huguet rely on mild punchlines and dignified tempi

***11

West-Eastern Divan Orchestra shows its stars at the Salzburg Festival

Alexander Hall, 13th August

Daniel Barenboim offered an unusually Germanic take on César Franck, while section leaders Michael Barenboim and Kian Soltani pulled double duty as soloists in Brahms' Double Concerto.

****1

Daniel Barenboim steps in to conduct Brahms at Berlin Philharmonie

Edward Sava-Segal, 24th April

Replacing Mikko Franck at short notice, Barenboim joins Yefim Bronfman for a revised, all-Brahms programme.

****1

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Arnaud Saura-Ziegelmeyer

Maître de conférences en histoire ancienne à l'Institut Catholique de Toulouse, Arnaud enseigne également à l'Université Toulouse II et à l'Institut National Universitaire d'Albi. Passionné de musique, violoniste et pianiste, il a poursuivi en parallèle de ses études en histoire un cursus au Conservatoire de Toulouse et y a obtenu plusieurs prix. Ses recherches portent sur l’histoire des religions antiques et notamment sur l’utilisation de la musique dans le cadre des cultes polythéistes.