Le RIAS Kammerchor et le Freiburger Barockorchester rayonnent de joie à Lyon

By Beate Langenbruch, 24 December 2016

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“Anna Lucia Richter se fait le héraut céleste de la bonne nouvelle, hiératique et pure,”

Reviewed at Auditorium de Lyon: Grand Hall, Lyon on 20 December 2016

Bach, Christmas Oratorio, BWV248

Freiburg Baroque Orchestra

RIAS Kammerchor Berlin

Hans-Christoph Rademann, Conductor

Anna Lucia Richter, Soprano

Anke Vondung, Mezzo-soprano

Maximilian Schmitt, Tenor

Roderick Williams, Baritone

Highly polished Mozart from Freiburg Baroque in Melbourne

Sandra Bowdler, 26th March

Melbourne-born soprano Sioghan Stagg returns for a one night stand with Kristian Bezuidenhout and the Freiburg Baroque Orchestra as part of their Australian tour.

****1

Dionysian and Apollonian: René Jacobs conducts L'Orfeo in Berlin

Elena Luporini, 18th February

In a concert performance at the Berlin Philharmonie, conductor René Jacobs gives his own – thrilling – take on Monteverdi's L'Orfeo.

*****

Light and shadows in Rattle and Sellars' Médée at Staatsoper Berlin

Elena Luporini, 19th November

Reuniting two old friends and collaborators, the Staatsoper Berlin presents a new production of Marc-Antoine Charpentier's Médée, with mixed results.

***11

Freiburg Baroque brings the Thames to Klosters

Mark Pullinger, 31st July

One of the world's top period instrument ensembles bring Handel's Water Music and other baroque classics to Klosters.

****1

Excellent revival of Claus Guth's Saul at Theater an der Wien

George Jahn, 20th April

“How Excellent.” The first words sung in Handel’s Saul are in praise of God and were first uttered in a performance nearly three centuries ago. But they apply equally to Claus Guth’s interpretation of the work staged by Theater an der Wien.

*****

Aquatic favourites from the Freiburg Baroque Orchestra

Zenaida des Aubris, 5th April

Maurice Steger makes his debut with the Freiburg Baroque Orchestra in a concert of Baroque favourites.

*****

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Beate Langenbruch

Incapable de départager musique et littérature dans sa vie, Beate a décidé de se consacrer passionnément aux deux. La maîtresse de conférences en littérature française (Moyen Âge) et soprano allemande parcourt le monde pour ses recherches comme pour chanter, avec son trio de musique de chambre, en soliste ou en choeur. Ses années d'expériences instrumentales (piano, flûte, guitare) n'ont que très modérément entravé son amour inconditionnel de la voix et du répertoire choral en particulier.

Admirable optimisme berlinois : le RIAS Kammerchor et le Freiburger Barockorchester rayonnent de joie dans le Weihnachtsoratorium de Bach