Bachtrack logo

Hommage à Marie Fel, soprano star du Siècle des Lumières par Carolyn Sampson

Loading, please wait...
See full listing
“Les vocalises de Carolyn Sampson sont remarquables, bien détachées, légères, précises, tenues”
Reviewed at Smith Square Hall, London on 16 May 2015
de Lalande, Symphonie
de Lalande, Te Deum laudamus
de Lalande, Tu rex gloriae
de Lalande, Tu ad liberandum suscepturus hominem (from Te Deum)
de Mondonville, Gasouillats auzeléts (from Daphnis et Alcimadure)
Fiocco, Laudate pueri Dominum
Jean-Jacques Rousseau, Salve regina
de Mondonville, Venite adoremus (from Venite exultemus)
Rameau, Scene for La Folie (from Platée)
Louis Lacoste, Ah! quand reviendront nos beaux jours? (from Philomèle)
de Lalande, Regna terrae (from Exurgat Deus)
Rameau, Un tendre intérêt … Tristes apprêts (from Castor et Pollux)
Rameau, Amour, amour, lance tes traits (from Platée)
Mouret, Jeunes Époux (from Epitalame or L’Amour et l’Hymen)
de Lalande, Viderunt omnes; Gloria (from Cantate Domino)
Ex Cathedra
Carolyn Sampson, Soprano
Jeffrey Skidmore, Conductor
More than just a concert: Ex Cathedra perform Rachmaninov’s Vespers
****1
The power of individual voices: Ex Cathedra’s St Matthew Passion
****1
Inspired juxtapositions: Rachmaninov’s Vespers
****1
Wheel of Fortune: Carmina burana a safe bet for BRB
***11
Ex Cathedra's small scale Messiah
***11
Brazilian brilliance in Birmingham with Ex Cathedra
****1
More reviews...
Related articles
Loading image...
Street-smart and subversive: Ailish Tynan talks Così fan tutte
Loading image...
Family affairs: Catharine Woodward on singing Brünnhilde in Regents Opera’s Ring
Loading image...
Sensuality and modern music: Barbara Hannigan
Loading image...
Elim Chan: from Sorcerer’s Apprentice to Proms Queen and beyond
Julie Jozwiak