Éloge du collectif : Janine Jansen et la Camerata Salzburg

By Tristan Labouret, 28 February 2024

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“Janine Jansen parle la langue maternelle de la Camerata Salzburg comme si c’était la sienne”

Reviewed at Philharmonie de Paris: Grande salle Pierre Boulez, Paris on 27 February 2024

Haydn, Symphony no. 6 in D major "Le Matin"

Mozart, Violin Concerto no. 5 in A major "Turkish", K219

Mozart, Violin Concerto no. 3 in G major, "Strassburg", K216

Haydn, Symphony no. 7 in C major, "Le Midi"

Camerata Salzburg

Janine Jansen, Violin

Giovanni Guzzo, Violin, Conductor

No podiums required: Camerata Salzburg and Hélène Grimaud in Berlin

Elena Luporini, 19th May

Who needs conductors when you've got synergy? The Camerata Salzburg and Hélène Grimaud bring Mozart and Brahms to Berlin's Philharmonie.

****1

Julia Fischer's Beethoven shines at Gstaad Menuhin Festival

Laurence Vittes, 16th July

Intimate and powerful, Fischer's performance with Camerata Salzburg feels like a match made in heaven.

****1

Mozart lives! Camerata Salzburg toasts its hometown hero

Mark Pullinger, 30th January

A charming programme featuring Renaud Capuçon and Gérard Caussé in the Sinfonia Concertante in E flat major, one of Mozart’s most sublime, sun-drenched works.

****1

Light and shadows up to Mozart's summit

Luce Zurita, 11th March

Nested in the warmth of Cadogan Hall, Camerata Salzburg and Ben Gernon brought life to Mozart's eternal music whose multi-faceted joy carried in its wake the British violinist Nicola Benedetti.

***11

The Salzburg Camerata and Angela Hewitt with Bach concertos for keyboard in Pavia

James Imam, 1st April

Worlds apart from those interpretations where Bach's expressivity is left to speak for itself, tonight's approach provided a complementary carapace that navigated us through Bach's score in unexpected ways.

****1

Hilary Hahn and the Camerata Salzburg shine at the Berlin Konzerthaus

Christie Franke, 1st October

The Camerata Salzburg’s evening of Mozart, Enescu and Vaughan Williams at Berlin’s Konzerthaus was a crisp and bubbling performance that stimulated the intellect as well as the emotions. Beginning the evening with George Enescu’s Two Intermezzi for String Orchestra, the Camerata swept audience members away into a world gone, but too lovely to be forgotten.

****1

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Tristan Labouret

Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.

Éloge du collectif : Janine Jansen et la Camerata Salzburg à la Philharmonie