Ciofi/Deshayes dans Maria Stuarda : confrontation au sommet

By Sébastien Herbecq, 25 January 2016

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“Qui d’autre qu’une Patrizia Ciofi peut offrir au public une telle leçon de musique ?”

Reviewed at Opéra Confluence, Avignon on 24 January 2016

Donizetti, Maria Stuarda

Luciano Acocella, Conductor

Patrizia Ciofi, Maria Stuarda

Ludivine Gombert, Anna

Karine Deshayes, Elisabetta

Ismael Jordi, Earl of Leicester

Étienne Dupuis, Cecil

Michele Pertusi, Talbot

Patrice Laulan, Tenor

Orchestre National Avignon-Provence

Chœur de l'Opéra Grand Avignon

Aurore Marchand, Choirmaster / chorus director

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Markus Bothe’s Botticelli-inspired production fuses tableau vivant aesthetics with Jörg Halubek’s surgical musical precision, offering a peerless, vivid tribute to the fragrant dawn of opera.

****1

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Very few singers can hold an audience in the palm of their hand the way Brenda Rae as Marie does in this rollicking frolic.

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Carlisle Floyd's operatic setting of John Steinbeck’s classic novella is given a new production in the composer's centenary year at the Lyric Opera of Kansas City.

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Tales of love and loss as operas by Elena Langer, Charlotte Bray and Elizabeth Maconchy form a varied triple bill in this showcase for The Royal Opera’s Jette Parker Artists.

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The triumph of virtue: Rossini’s Cenerentola in Brisbane

Sandra Bowdler, 29th April

Margarita Gritskova leads a fine ensemble performance of Rossini’s most under-appreciated opera by Opera Queensland.

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Grigolo shines in a mixed new Roméo et Juliette at the Opera di Roma

Pia Maltri, 28th April

With its 1940s setting, Luca Del Fusco’s direction alienates in a new production of Gounod's Shakespeare-inspired opera.

***11

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Sébastien Herbecq

Sébastien a pratiqué pendant 11 ans le violon avant d'intégrer la classe de chant lyrique du Conservatoire de Montpellier. Titulaire d'un master en droit et management de la culture, ce grand amateur de musique classique, admirateur des belles voix, arpente depuis son plus jeune âge les salles d'opéra. Il est particulièrement sensible au répertoire lyrique de ses compositeurs fétiches : Wagner, Richard Strauss, Verdi et Rossini. Dramaturge auprès de l'Opéra de Marseille à partir de 2017, il cesse son activité de critique l'année suivante ; depuis 2019, il est dramaturge à La Monnaie/De Munt.