Le Nabucco de Falvetti enflamme l’Opéra de Dijon

By Jean-Marc Piriou, 05 May 2017

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“un enchantement permanent de sonorités inédites”

Reviewed at Auditorium de Dijon, Dijon on 3 May 2017

Falvetti, Nabucco

Leonardo García-Alarcón, Conductor

Fernando Guimarães, Nabucco

Alejandro Meerapfel, Daniele

Owen Willetts, Arioco

Caroline Weynants, Anania

Arianna Vendittelli, Azaria

Lucía Martín-Cartón, Misaele

Matteo Bellotto, Eufrate

Capucine Keller, Superbia

Cappella Mediterranea

Chœur de chambre de Namur

Petrenko and Serebrennikov forge a new Ring in Salzburg

Phillip Richter, 1st April

The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them.

****1

Frida Kahlo and Diego Rivera brings Spanish to the Lyric Opera

Graham Meyer, 29th March

The Lyric Opera of Chicago's presentation of El último sueño de Frida y Diego brings the Mexican artists to life... or at least a life reminiscent of their real ones.

****1

Eyes wide shut for Berlin’s new Ballo

Mark Pullinger, 29th March

At the Staatsoper Unter den Linden, Rafael R Villalobos addresses the problems he perceives with Verdi’s Un ballo in maschera, although the musical performances – led by Anna Netrebko – compensate.

***11

Handel’s Belshazzar at Komische Oper Berlin

Zenaida des Aubris, 28th March

The Baroque confectionery of Herbert Fritsch's production of Handel's oratorio belies a serious core which is all too close to today's headlines.

****1

Young stars shine in the Staatsoper Berlin’s Rosenkavalier

Mark Pullinger, 28th March

Patricia Nolz makes an outstanding role debut as Christian Thielemann conducts a thrusting Rosenkavalier to open the Staatsoper Unter den Linden's Festtage.

*****

A Baroque Netflix evening: Zurich’s star-studded Giulio Cesare

Mengguang Huang, 28th March

Davide Livermore’s high-octane production transforms Handel into a lavish blockbuster. While the superstars shine, the relentless entertainment-first approach often sacrifices musical refinement and dramatic logic for Netflix-style spectacle.

***11

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Jean-Marc Piriou

Diplômé de l’École Centrale Paris et titulaire d’un Doctorat en Biophysique Moléculaire, Jean-Marc occupe différentes fonctions dans le secteur de l’environnement. Passionné de musique depuis l’enfance, il étudie le saxophone, le piano, puis se forme au chant lyrique (ténor). S’il s’intéresse à tous les styles et toutes les formes de musique, l’opéra est sa grande passion.