Nathan Laube, un chef d'orchestre aux Amis de l'orgue de Québec

By Emmanuel Bernier, 27 October 2019

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“Les défis techniques n’ont aucun secret pour l'organiste”

Reviewed at Église Saints-Martyrs-Canadiens, Quebec on 26 October 2019

Duruflé, Prelude et Fugue sur le nom d'Alain, Op.7

Duruflé, Prelude, adagio et choral varie sur le theme du Veni Creator, Op.4

Rameau, Les Indes galantes: Chaconne

Rameau, Ouverture de Pygmalion

Bach, Dies sind die heilgen zehn Gebot - chorale prelude in G Major, BWV678

Bach, Vater unser Himmelreich - chorale prelude in B Minor, BWV682

Bach, Aus tiefer Not schrei ich zu dir - chorale prelude in E Minor, BWV686

Bach, Christ, unser Herr, zum Jordan kam - chorale prelude in G Minor, BWV684

Bach, Passacaglia and fugue in C Minor, BWV582

Nathan Laube, Organ

Sumptuous Sheffield Chamber Music Festival finale

Phil Parker, 23rd May

Ensemble 360 and soprano Claire Booth test to the limits the definition of ‘chamber music’ in this richly orchestral closing concert of the 2026 Sheffield Chamber Music Festival.

****1

More gold than corn: María Dueñas plays Korngold at the Barbican

Mark Pullinger, 22nd May

The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Mark Valencia, 21st May

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

****1

Intimate colossus: Daniil Trifonov with the Rotterdam Philharmonic

Max Lima, 21st May

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores.

****1

Heavenly Mahler – and Strauss – from Lucy Crowe and the LSO

Roy Westbrook, 21st May

Songs and symphonies from Sir Simon Rattle and the London Symphony Orchestra, concluding with a vision of “heavenly life” from Gustav Mahler.

****1

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Emmanuel Bernier

Emmanuel Bernier a étudié au Conservatoire de musique et d’art dramatique du Québec, où il a obtenu un Prix avec distinction en orgue et un diplôme d’études supérieures en chant. Il a été collaborateur au quotidien Le Soleil, en plus d’être rédacteur pour plusieurs sociétés de concerts. Il effectue présentement des études de doctorat en histoire contemporaine à l’Université Laval à Québec.