L'Inde au Victoria Hall : le tabla de Zakir Hussain aux honneurs.

By Thomas Muller, 24 January 2016

Loading, please wait...

See full listing

“nous sommes face à un soliste vénéré en Inde, qui reste d’une indéniable modestie face au public.”

Reviewed at Victoria Hall, Geneva on 21 January 2016

Smetana, The Bartered Bride: Overture

Hussain, Peshkar, Concerto for tabla and orchestra

Bartók, Concerto for Orchestra, Sz 116

Symphony Orchestra of India

Zakir Hussain, Tabla

Zane Dalal, Conductor

From Evil Empire to Grail Fellowship: The Symphony Orchestra of India

Roy Westbrook, 8th December

Richard Farnes conducts Andrew Gourlay's symphonic suite drawn from Wagner's Parsifal as the Symphony Orchestra of India returns to Cadogan Hall.

****1

When East meets West: the Symphony Orchestra of India in London Town

Alexander Hall, 30th November

Visiting orchestras often bring something special with them: here it was a newly commissioned triple concerto for classical Indian instruments. Alpesh Chauhan impresses in Stravinsky, less so in Richard Strauss.

***11

Safety first: the Symphony Orchestra of India makes its London debut

Mark Pullinger, 20th February

An evening of different musical flavours, but none, as yet, are quite distinctive on the palate.

***11

Safety first: the Symphony Orchestra of India makes its London debut

Mark Pullinger, 20th February

An evening of different musical flavours, but none, as yet, are quite distinctive on the palate.

***11

When East meets West: the Symphony Orchestra of India in London Town

Alexander Hall, 30th November

***11

Safety first: the Symphony Orchestra of India makes its London debut

Mark Pullinger, 20th February

An evening of different musical flavours, but none, as yet, are quite distinctive on the palate.

***11

More reviews...

Thomas Muller

Podologue spécialisé en Education Thérapeutique du Patient et Diabétologie, chanteur, administrateur de choeur, fondateur d'orchestre et ancien hautboïste amateur, Thomas est passionné de musique et particulièrement vocale. Toujours sensible aux timbres des orchestres et de la capacité des musiciens de développer un chant musical qui provoque chez l'auditeur une émotion vraie, en dehors de tout intellectualisme.