Gergiev, Redkin et Kholodenko dans les concertos de Prokofiev

By Sylvain Gaulhiac, 24 November 2016

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“Kholodenko s’en empare tel un fauve : il y a en lui un côté animal, reptilien”

Reviewed at Philharmonie de Paris: Grande salle Pierre Boulez, Paris on 22 November 2016

Prokofiev, Piano Concerto no. 4 (For the Left Hand), Op.53

Prokofiev, Piano Concerto no. 5 in G major, Op.55

Prokofiev, Cendrillon, version de concert

Valery Gergiev, Conductor

Mariinsky Theatre Orchestra

Sergei Redkin, Piano

Vadym Kholodenko, Piano

Miraculous Russians: Valery Gergiev and the Mariinsky in Florence

Elena Luporini, 11th December

Valery Gergiev and the Mariinsky Theatre Orchestra call in at the Teatro del Maggio Musicale Fiorentino for a programme of Prokofiev, Bartók and Stravinsky... and Gergiev picks up the keys to the city too.

****1

Alexandre Kantorow wows with the Mariinsky Orchestra in Antwerp

Marc Haegeman, 15th October

Think of a poet irresistibly teasing your senses by his creative use of rhythm, his unpredictable style of speech and his unfailing imagination.

****1

In Rimsky's Kitezh, Gergiev eventually weaves some Russian magic

Mark Pullinger, 8th October

In Gergiev's late, late show, Mao Fujita impresses in Tchaikovsky, but episodes from Berlioz' Roméo et Juliette are given a Shakespearean speed read.

***11

Matvey Demin’s stellar UK debut flanked by an invigorated Gergiev

Young-Jin Hur, 7th October

Gergiev, Demin, and the Mariinsky Orchestra deliver a performance full of vitality, virtuosity, and determination.

****1

Valery Gergiev and the Mariinsky bring a Russian programme to Lucerne

Edward Sava-Segal, 30th August

The very talented Uzbek pianist Behzod Abduraimov is an artist whose musicality transcends the mere virtuosic prowess.

****1

An ideal troika at Cadogan Hall

Roy Westbrook, 4th March

Valery Gergiev and the Mariinsky Orchestra return to Cadogan Hall for the second of their Petipa/Tchaikovsky tributes.

****1

More reviews...

Sylvain Gaulhiac

Sylvain commence l’étude du piano à l’âge de 7 ans. La découverte assez tôt de Debussy et Ravel forge en lui une passion intime pour la musique française qui s’élargira ensuite vers de vastes horizons, telle la musique russe, et notamment Scriabine dont Sylvain est un fervent défenseur. Après un DEM de piano, Sylvain poursuit assidûment la pratique de la musique, sans négliger sa passion pour la littérature et la poésie. Son exigence esthétique l‘oriente également vers les mathématiques. Élève normalien à l’École Normale Supérieure et agrégé de mathématiques, Sylvain poursuit une thèse de géométrie algébrique consacrée à des questions de géométrie anabélienne dans les espaces de Berkovich.

Gergiev, Redkin et Kholodenko, ou comment se réconcilier avec les concertos 4 et 5 de Prokofiev